Moving into Unfamiliarity
Topics:
“Moving into Unfamiliarity”
“Mandalas/Life Wheels”
“The Money IS You”
Thursday, August 3, 2000-1
© 2001 (Private/Phone)
Participants: Mary (Michael) and a new participant, Debi (Oona).
Elias arrives at 12:36 p.m. (Arrival time is 25 seconds)
ELIAS: Good morning!
DEBI: Good morning! Hi, Elias! It’s a real pleasure
to finally meet you! (Laughing, and Elias chuckles)
I guess the first thing I want to ask you is, I say “finally meet you,”
but do we know each other?
ELIAS: Of course we are known to each other! (Chuckling)
DEBI: (Laughing) I don’t know — that question kinda popped
into my head last night as I was going over things I wanted to ask you
about; you know, in the respect of, are we like old friends?
ELIAS: I may express to you that we have participated in physical
focuses together.
DEBI: Okay. Is there any information you can give me about
that, or is that something I should just figure out myself?
ELIAS: (Laughing) I may challenge you to offer to yourself
your impressions in investigation of this, and I shall be futurely acknowledging
of you and offering validation to your impressions. Shall we enter
a deal, so to speak? Ha ha ha!
DEBI: Sounds great! I love this — a challenge! I love
challenges! (Laughing) Alright, we’ll do it!
Can I ask a question about an impression I had? I’ve been doing
a series of color meditations, and I had a really different kind of experience
with the color blue, oddly enough, following an evening when I was talking
about something, referring to buzzies around my ankle. Was that you
during my meditation?
ELIAS: Yes.
DEBI: It was?! (Laughing, and Elias chuckles)
ELIAS: And you have noticed my energy in introduction to you!
DEBI: That was really, really neat! It was so different
than anything I’d experienced, and I thought that it was probably you,
because it WAS so different. Good! So now I have a FEEL for
what you feel like.
ELIAS: Yes!
DEBI: Okay. Could I ask you about my particular information
— my essence name, family, alignment, orientation, all that good stuff?
ELIAS: Very well. Essence name, Oona; O-O-N-A. (oo’nah)
Essence family, Vold; alignment in this focus, Milumet; orientation, common.
DEBI: You know, I’m also curious about ... would I be a continuing
focus in this focus? (Pause)
ELIAS: Not presently, although I may express to you, this is what
you may term to be an option of choice.
DEBI: Okay. This information has me really thinking! (Laughing)
ELIAS: Ha ha ha ha ha! And partially, this would be the
point! (Chuckling)
DEBI: (Laughing) Yeah! You know, with that in mind,
would it be fair to say, with the Vold family, that I would be an emotionally
focused individual?
ELIAS: Not necessarily, but I may express to you that you ARE
emotionally focused. Do not associate this essence family with the
automatic expression of emotional focus.
Many individuals do choose to be creating an emotional focus in their
manifestation physically, to be incorporating an enhancement of the experience
of one of the base elements of the design of this particular physical reality,
but any of these types of expressions are not necessarily associated in
kind, so to speak, with any particular essence family.
DEBI: I think I understand. Well, this is really interesting,
because I think that the alignment gives me a lot of insight into another
question I was going to ask you, which is coming up.
Could I also get the basic information on my two children — Lindsey
and Evelyn — name, family, alignment?
ELIAS: Very well. (Pause) First individual, essence name,
Diette; D-I-E-T-T-E. (dee-ette’) Essence family, Tumold; alignment,
Ilda; orientation, common.
Second individual: (18-second pause) Rili; R-I-L-I. (ree’lee, sounds
like really!) (Pause, grinning) This is quite a playful essence!
DEBI: Oh my goodness!
ELIAS: Ha ha ha ha ha!
DEBI: (Laughing) We need to discuss this one!
ELIAS: Ha ha ha ha! Essence family, Zuli; alignment, Sumari;
orientation, common.
DEBI: Wow! This is fascinating! That just really cracks
me up, what you said about Rili, because she truly is something!
One of the questions I had for you was, I’m kind of curious what it is
with this child that absolutely ... she and I just bump heads, so to speak,
and I was wondering, is it ... well, what I had wondered was, is she just
mirroring something in me, or is this child just purely ... I don’t know!
What is it? Can you help me? (Laughing)
ELIAS: (Chuckling) There are many expressions that are being
incorporated in the interaction between the two of you in this particular
focus.
Now; let me express to you that you have created the agreement to be
facilitating the entry physically for this manifestation of this particular
essence. This other essence IS quite playful, and has chosen quite
specifically — as do all essences — to be manifest in the expression of
family member with you quite purposefully, in alignment with the expression
of this essence.
This particular focus of that essence has manifest with an intent of
expression — in playfulness — of challenging other individuals in the expressions
of their belief systems ... which may not necessarily be viewed as obviously
as they may assume! (Chuckling)
DEBI: Oh my goodness!
ELIAS: Therefore, in this, it is not quite a mirror action that
this individual presents to you, but more of an expression of challenge,
through her choices of behaviors and expressions within her focus in presentment
to you, that may allow you the opportunity to be noticing and recognizing
your beliefs that you are allowing to be influencing of your perception
within many, many, many situations.
DEBI: Thanks. Makes sense! Would this particularly
relate to my parenting beliefs?
ELIAS: Yes. (Chuckling)
DEBI: Okay, because I’m ready to let her take over!
ELIAS: Ha ha ha ha ha!
DEBI: (Laughing) Oh my goodness! This makes a lot
of sense.
ELIAS: Be remembering also, there is an underlying quality expressed
within this individual, as an element of the essence family that she is
belonging to, which is continuously influencing in her expressions; that
is, an appreciation of physical design, physical exhibition and manifestation.
Therefore, there is a strength which is incorporated in her ability to
be challenging of other individuals, in the appreciation of her own creation
of self.
DEBI: This makes great sense. I really appreciate that.
I’m going to re-evaluate my whole role here! (Laughing, and Elias chuckles)
Okay. Well, I guess maybe we could move onto something else.
ELIAS: Very well.
DEBI: Of course, I have a list of questions for you, but I think
I’ll just pick a couple that are more heavily on my mind lately.
I have recently, the last few months, undergone a tremendous amount
of confusion and discontent, basically with my direction. I’ve been
going to school for a couple of years, I’m doing work in the computer industry
and all that stuff, but suddenly, it’s as if I want nothing to do with
all that. I don’t want to be where I live, I don’t want to work in
that field, and I’m not quite sure what’s going on.
I also seem to have ... I don’t know how to describe it, other than
I just don’t seem to be able to create abundant finances, no matter how
smart I am, no matter how much training I have, or that’s the feeling I
always have, that I’m not capable enough, I’m not committed enough, and
the commitment ... you know, just like I said — all of a sudden, I’ve been
doing something for a couple of years, and now I don’t want to go that
way any more.
What you told me about alignment with Milumet ... I’ve been wondering
lately, why do I have this huge pull away from all of that and toward things
like trees and plants? It’s just a whole different direction!
I’m walking past trees and I’m talking to them, you know? I’ve never
done that before! (Laughing, and Elias chuckles)
I just feel like I’m being drawn into an area, and I have no idea what
I’m gonna do with it. I don’t know — am I making any sense?
ELIAS: Quite!
DEBI: Oh, okay. (Elias chuckles) Can you give me a little
bit of insight as to what’s going on with me?
ELIAS: You are moving into the expression of self discovery.
You are allowing yourself an opening of your awareness to the exploration
of YOU, and in this, allowing yourself to begin moving away from the automatic
expressions of expectations that you assume through the expressions of
mass belief systems and your societies, or expectations that you place
upon yourself in relation to your identification of right and good and
responsible, and you are allowing yourself to open the door ever so slightly
and peer into a new area within self, allowing yourself to begin a movement
in the direction of familiarizing yourself with YOU.
This is an expression that you have not allowed yourself for most of
your focus in this manifestation. You have explored many types of
activities and many types of creations in different types of expressions.
You have explored the vastness of duplicity quite well! Ha ha ha
ha ha!
DEBI: (Laughing) You can say that again!
ELIAS: Ha ha ha! In at least the expression of the negative
aspects of duplicity! (Laughing)
DEBI: Oh my gosh! Isn’t that the truth!
ELIAS: Ha ha ha!
DEBI: So with that in mind, would it be safe to say that I’m fairly
well done with that?
ELIAS: Not necessarily! (Grinning)
DEBI: Ah! (Laughing)
ELIAS: Ha ha ha ha ha ha! But you HAVE offered yourself
the opportunity to familiarize yourself with this particular belief system,
and therefore have offered yourself more of an ease in your ability to
be identifying of it as it may arise, so to speak.
In this, you have allowed yourself to be exploring many experiences
in relation to different expressions of belief systems, but you have not
allowed yourself to turn your attention to the exploration and familiarization
of YOU, and therefore have not offered yourself the genuine identification
of your natural flow of energy or your ability to be directing of your
focus yourself, and incorporating your own expression of fun and creativity
and your abilities within this focus.
In this, you have continued to be expressing yourself — in all of your
explorations of outside elements or creations throughout your focus — with
the underlying direction, so to speak, of your essence family and your
alignment, but you have not offered yourself an objective recognition of
how that interplays with you as you, and your energy and your natural movement.
Therefore, in a manner of speaking, you have offered yourself an expression
of exploring beliefs, and you have also offered yourself a familiarization
with expressions and creations outside of yourself, in a manner of speaking.
Now you are opening the door to be turning your perception, and allowing
yourself to become familiar with YOU. This offers you a movement
into a tremendous new expression of freedom!
DEBI: Yes! That’s what I want to hear!
ELIAS: Now; let me express to you, you have identified a specific
area of concern in financial expression, or what you assess to be an inability
to be creating the type of financial expression that you wish to be creating.
Let me also express to you that this is quite understandable, as you
DO hold your attention outside of self, and in that, you are allowing a
tremendous influence of your beliefs, in association with your perception,
with concern to self and how you assess yourself.
In this, as you continue to be directing your attention in that manner,
you also create obstacles in your allowance for your ability to be creating
this type of expression in financial materialization, so to speak.
DEBI: So basically ... I just want to see if I’m understanding
this correctly. In moving towards this new expression, I get the
feeling that what you’re saying is, everything is gonna come together as
it should anyway. (Elias grins and starts to respond, but Deb deflects)
How was I gonna put that? I guess what I’m trying to say is, this
will basically kinda take care of itself if I just tune into myself.
ELIAS: Ah, and THIS is the movement of recognition! Yes.
DEBI: Ah, okay.
ELIAS: The financial expression is not to be acquired, for there
is no element within your reality that needs be acquired. You already
possess all that may be expressed within your physical reality. It
is not a question of acquisition. It is a question of creating, and
being in the creation.
DEBI: Okay, alright. This is a lot to think about. (Elias
chuckles) But it just moves through me as tremendously good news!
Do you know what I mean? I don’t know how to describe it.
ELIAS: I am understanding.
Let me express to you, as you allow yourself to relax your energy and
not be concentrating your attention upon the acquisition of this physical
matter, and allow yourself to turn your attention in familiarizing yourself
with you, and recognizing that the physical manifestation of money is a
creation of yours and is you also ... you are the creator AND the creation.
Therefore, the actual physical manifestation of this physical matter, of
what you identify as money, is an expression of YOU. It IS you.
DEBI: So basically, when I’m in line with myself ... and I don’t
know, feeling abundant within, it’s just going to happen. That’s
basically what you’re saying?
ELIAS: Yes. You create outwardly, objectively, in reflection,
so to speak, of what you are creating inwardly.
(Intently) You create what you concentrate upon.
I am not speaking to you of thought. I am speaking to you of the
concentration of your attention in energy, and your concentration moves
in direct alignment with your belief systems. Your belief systems
are directly influencing of your perception. Your perception is the
instrument which you incorporate in this physical reality to be creating
your reality. Therefore, as you concentrate your energy in your beliefs,
you create the manifestation of those beliefs.
Do not confuse yourself with thoughts, for your thoughts are not necessarily
an accurate reflection of your beliefs.
DEBI: Okay. That’s something I need to take a more serious
look at, because I think I have done that.
ELIAS: You may intellectually manipulate your thought process
in contrary expression to the beliefs that you actually hold inwardly.
In this, you are not creating an acceptance or a dispelling of your
beliefs merely that you incorporate a contrary thought process to your
beliefs. You may express to yourself that you do not align with a
particular belief or aspect of a belief, and I may express to you that
your thoughts are not the indicator. Your beliefs manifest in what
you create and within your behaviors, and these ARE indicators.
DEBI: Okay. I think I’m following now.
ELIAS: Your automatic responses are also an objective indicator
of the influence of your beliefs, and how they are influencing of your
perception.
DEBI: Okay. Thank you very much for that.
ELIAS: You are quite welcome.
DEBI: Like I said, that’s a lot to think about, and of course
I’m gonna have to go over it, but it makes great sense.
I guess in line with the current movement of opening my door, or however
you referred to it, is that why I’m experiencing the dream trauma lately?
Also, I want to ask you about the pressure I get in my head and my ears,
the cracking and popping kind of stuff, which incidentally happens a lot
when I meditate on orange. But you know, the headaches, seeing auras,
the vibrating head, is that all related to the same thing?
ELIAS: Yes. The physical aspects of your experience are
the manifestations of opening of neurological pathways, which is an actual
physical incorporation of action which occurs within your actual physical
brain.
DEBI: So all those brain cells I killed off might come back?
Note: Bobbi and Vic are REALLY rolling on the floor laughing!
ELIAS: HA HA HA HA HA!
DEBI: (Laughing) Or maybe I won’t need them after all!
ELIAS: Ah, and this may be more to the point! Ha ha ha ha
ha!
DEBI: (Laughing) That’s really good news — really good news!
But the dream trauma and all that, and oh my gosh, sleeping with the
lights on! I guess what I wanted to ask you about that particularly
is, I think I’ve been working out a lot of fear. I believe that was
fear, and I believe I have been addressing to that.
ELIAS: Yes, you are correct.
DEBI: Okay. So the dream with the floor and just all of
that, it kind of seemed to go together with information in another transcript
I was reading where you talked about losing your floor and that kind of
thing, and it all made great sense. So, I kind of just wanted to
verify that with you. It does feel as if I am addressing to it, and
that’s good.
ELIAS: And allowing yourself to recognize elements of your expressions
of fear, and in this, allowing yourself more efficiently to be addressing
to this fear.
Now; let me also express to you that the opening of self exploration
within many individuals, yourself also, creates many times another automatic
association in fear, for it is unfamiliar, and in this unfamiliarity, you
also incorporate an uncertainty in how to be maneuvering and manipulating
your energy.
Therefore, as you move into more of an expression of assuming your own
direction for self, rather than the alliance of yourself to mass belief
systems and societal expressions and the reliance upon outside expressions
to be dictating your direction to you, it is a movement into trust of self,
and this is quite unfamiliar in many of its expressions.
DEBI: It definitely is!
ELIAS: You are allowing yourself to be creating this movement
into addressing to the elements of fear through this dream interaction
and imagery, which I may express to you, as I have expressed previously
to other individuals, many times this may be quite beneficial, for it offers
you an opportunity to be viewing and participating within and addressing
to certain expressions within what you identify as the safety of self,
rather than the objective waking experiences that you associate with less
of an expression of safety.
DEBI: Okay, I think I’m following....
ELIAS: At times, it may be less fearful for you to be engaging
an expression of fear within dream imagery, holding the knowing underlyingly
that you are merely interacting with self, and therefore you incorporate
an element of safety.
Whereas within waking state, you may objectively create expressions
of fear, and it may be more difficult for you, within your focus, to be
addressing to those expressions of fear, for they are essentially triggering
of many other associations within self in familiarity of the aspects of
duplicity ... which you are quite familiar with! (Chuckling)
DEBI: I sure am!
ELIAS: This....
DEBI: But I didn’t know that, because it took me a long time to
understand what duplicity meant! (Elias chuckles) Isn’t that funny?
Okay, that definitely answers my question. I really appreciate that.
You know, I want to talk to you about ... I’m not quite sure how to
break this down, but it all kind of ties together with some drawings that
I’ve done, and the color meditations. I’ve had this fascination recently
with color, and I’ve been doing these color meditations, and then all of
a sudden, these drawings that I started doing years ago, I started doing
them again.
The biggest question I have is, I’m not real positive what they represent.
I have some ideas, but some of the imagery I’ve gotten during these meditations
... it seems as if I’m getting some insight into this, but I’m not sure
if it relates or not. And also, there’s the possibility that I have
a tile or two, so I wanted to discuss all of that a little bit with you.
ELIAS: Very well.
In this, I may express to you, your identification with exploration
of color is movement in the explorations of different aspects of tones,
and also the different types of movements of energy associated with your
energy centers.
Individuals within physical focus lean in the association of these energy
centers as being expressions of merely physical manipulation of physical
energy associated with the physical body.
I shall express to you that the movement of these energy centers incorporates
much more than merely the maintenance of your physical body consciousness.
These energy centers are an expression of you in this focus, in all
that you are. They are mirrored through the expression of your body
consciousness, but their function is not merely the maintaining of or the
generating of the physical body.
Now; you have also engaged activity in expressing drawings, so to speak,
in relation to tones and information that you are offering yourself of
color, and in this, in association with the expression or qualities of
Milumet, what you are moving into is an allowance of yourself to be exploring
the physical associations of what you term to be personal mandalas. (Pause)
You have not....
DEBI: Could you explain that?
ELIAS: These are life wheels, or have been associated with what
may be termed as life wheels. They are the physical representation
of the energy movement of the energy signature, so to speak, of each individual.
Now; these have been incorporated in part into your belief system of
psychology, although they are also misrepresented in the information that
may be accessed in relation to your science of psychology. They are
also distorted in information associated with religious belief systems.
But you may allow yourself the recognition within your meditations that
throughout the incorporation of your linear time framework associated with
this physical dimension, individuals have allowed themselves to be recognizing
this symbol — this wheel, so to speak — in many, many, many different types
of forms, but with the basic incorporation of this sphere, this wheel.
In this, the incorporation of color has been expressed consistently,
for this is a natural association with this wheel.
The symbology of the wheel itself is the expression of knowing, which
is being allowed to be incorporated into the objective awareness, of the
movement of energy as associated with the individual in physical manifestation,
and the incorporation of their relationship to truth.
DEBI: Okay. So basically, that has nothing to do with a
lot of the other things I was thinking about. It’s about truth.
The different drawings I do then, is it ... I guess the only question I
really have about that is, are these all representative of the same thing,
or is each one basically an entirely different aspect? Do you understand
what I’m saying or what I’m asking?
ELIAS: Yes. They are individual aspects of the wheel.
Therefore, in expansion of your awareness of the symbology of the wheel,
were you to be incorporating an actual physical drawing of your individual
wheel, you may be incorporating all of these designs of drawings that you
have been creating into different aspects of this one wheel.
DEBI: Okay, now I understand. (Elias chuckles) Thank you
so much for that, because I’ve really been just rattling around in my head
about this, and I’m just so happy to know what that is!
ELIAS: You are quite welcome!
DEBI: We’re close to running out of time, and I just have a couple
of other things. Mainly I have some game impressions, and I have
a couple of impressions that I think are focuses of mine, and I wonder
if I can just basically run them by you, and you can tell me if I’m on
the right track or not.
ELIAS: You may.
DEBI: Okay. The first one is actually a name that came to
me, Rita Riser. (Pause)
ELIAS: Yes, you are correct, as another focus of yourself.
DEBI: And the name Janet? (Pause)
ELIAS: Yes, you are also correct.
DEBI: Then I have — this was during a meditation — a primitive
male. I’m not sure where or when, but I got a face. (Pause)
ELIAS: Correct, and you may be continuing in your investigation
of this individual and offering yourself more information, if you are so
choosing.
DEBI: Definitely, and in fact, that was another question I was
going to ask you — which ones I would have better access to.
Alright, how about a Native American focus? (Pause)
ELIAS: Yes, you are correct, within physical location of northeastern
region.
DEBI: Do you have a time frame on that? (Pause)
ELIAS: Time framework, early 1700s.
DEBI: Okay, that’s what I thought. What about 11th or maybe
12th century, in either Scotland or Ireland? (Pause)
ELIAS: Correct, although alter your physical location to what
you presently identify as Wales.
DEBI: Wales, okay. I’m wondering, in that one, do I have
any association with or do I play a harp? (Pause)
ELIAS: (Laughing) In a manner of speaking, yes, although
with great difficulty and struggling! HA HA HA!
DEBI: Okay. In other words, I’m lousy at it, but I try,
huh? (Elias cracks up) Okay, because I do love the harp, and I’ve
wondered where that came from.
Vic’s note: This cracks me up, thinking about Elias accessing
other people’s focuses, and seeing stuff that cracks him up!
DEBI: What about the American revolution, or was that related
to the Native American? (Pause)
ELIAS: You also do incorporate a focus within that time framework,
and in the expression of a soldier.
DEBI: Okay. Was I British? (Pause)
ELIAS: No.
DEBI: Okay, good. I was hoping not, for some reason, maybe
because I’m not!
Okay, the Civil War, or something about a plantation. (Pause)
ELIAS: Brief focus in physical manifestation, in the identification
of that war; participation as an individual that has disengaged as a small
one.
DEBI: Alright. This is great!
The dream imagery I had from like this dream that has haunted me, that
I had years ago in Ventura — I don’t know how to describe it, except that
it was terrifying, and I felt like I was there. I was running, I
was hiding from someone. I swear, I thought they were gonna burn
me! Do you know what that was about?
ELIAS: Yes.
Now; I shall express to you an encouragement and a suggestion that you
allow yourself to be exploring, even momentarily, that particular imagery,
for this is another focus that you participate within, and you have drawn
energy from that focus to this focus presently, to be reinforcing of certain
expressions in discounting of yourself in this focus, and certain time
frameworks within this focus in which you have moved in extreme expressions
of a lack of acceptance.
DEBI: Can you tell me what time period that was, and where?
ELIAS: Yes.
This also is incorporated within your present country, so to speak,
and is an expression of female individual, within northern eastern physical
location of your present country, in association with your beliefs in earth
magic, so to speak; time framework, not quite end of 17th century — three-quarters
of the expression of that century in time framework.
DEBI: Okay. You know, we’re almost out of time. Can
I quickly ask you, do Ornah and I share a focus as a priest and a nun?
(Pause)
ELIAS: Yes.
DEBI: And I’m the priest, right? (Pause)
ELIAS: Yes, and you may be investigating of this also, in physical
location of Belgium.
DEBI: Okay, great. Well, could I possibly just run down
a few of my game impressions real quick before we go?
ELIAS: You may.
DEBI: Okay. The first one I have is the rock group Santana,
in the rock bands category, with the color red, Milumet.
ELIAS: One point, and that shall be the expression of your game
entry within this participation this day! (Chuckling) And you may
express to Lawrence and Michael and Shynla your disappointment with their
ruling that one game entry shall be offered per session! HA HA HA
HA!
Vic’s note: Gee, Elias, you sure are selective as to when you
choose to apply this “ruling.” HA HA HA HA!
DEBI: Oh, really? Well, then it’s a good thing I picked
the right one to share today, isn’t it? (Elias chuckles) Okay.
Well, then on that note, can I ask one last question — actually two — for
my friend Conner?
ELIAS: You may.
DEBI: He would like to know his orientation.
ELIAS: Orientation, common.
DEBI: Okay, and then also for him, a friend of his by the name
of Veronique would like to know her essence name, family, alignment, and
orientation. (Pause)
ELIAS: Essence name, Phyete; P-H-Y-E-T-E. (fie-ette’)
DEBI: P-H-Y-E-T?
ELIAS: E.
DEBI: And that’s Phyete?
ELIAS: Correct. Essence family, Sumari; alignment, Gramada;
orientation, intermediate.
DEBI: Thank you.
ELIAS: You are quite welcome.
DEBI: Well, I see that we’re out of time. From the bottom
of my heart, I want to thank you for your help today.
ELIAS: You are very welcome. I anticipate our continued
interaction, and I express to you much encouragement in your challenge
in interaction with your small one! Ha ha ha ha!
DEBI: (Laughing) Thank you!
ELIAS: (Chuckling) To you this day, in tremendous affection
and anticipation of our next meeting, au revoir.
DEBI: Au revoir.
Elias departs at 1:40 p.m.
© 2001 Vicki Pendley/Mary Ennis, All Rights Reserved
Copyright 2000 Mary Ennis, All Rights Reserved.