Wednesday, December 22, 1999-1
© 2000 (Private/Phone)
Participants: Mary (Michael) and Jim (Yarr).
Elias arrives at 9:55 AM. (Arrival time is 19 seconds)
ELIAS: Good morning, Yarr!
JIM: Good morning, my friend! (Elias chuckles) Joyous day!
ELIAS: Ha ha!
JIM: I have some questions that I’m sure you’re quite aware of,
as we’ve been discussing these since our last meeting together, and some
clarifications, if we could chat for a while?
ELIAS: You may proceed.
JIM: Thank you.
In our last session we discussed color a little
bit — when you were out here in California and I asked about intent — and
I got clearer after we spoke about the qualities of color and vibrational
action. Jenaro/Archer and I have been thinking about this, and we wrote
down some things, and I would like to get your insight as to the qualities
of color. I guess the qualities would tell us why we chose them for
this dimension. I’ve got a real strong feeling and curiosity about
this.
ELIAS: And what are your impressions?
JIM: Red, a very bold color; hot, accelerating. Yellow,
an energetic type of quality, but a soothing type of color. You had
spoken of pink in that last session as kind of fluffy, soft; we tend to
relate it to female. Blue — cool, soothing. Green we see a
lot in nature. There again, I get a soothing, relaxing, almost nurturing
type of quality perhaps. White, a quality of openness, of light,
of softness again. Black, outside of traditional belief systems and
so forth. I kind of feel almost a warmth in some areas, but then
a clarity within its quality as well. Orange, a warm glowing.
Indigo, a rich, deep, contemplating type of quality. Magenta — I
don’t get anything with magenta. For some reason, I don’t really
understand or feel a quality of that particular color. (Elias chuckles)
That’s kind of the way we’ve seen it, and we want to see what you have
to say! (Elias chuckles again)
ELIAS: I shall express to you that some of your identifications
— or many of your identifications — of the qualities of these particular
colors are accurate in relation to your physical dimension, in a relative
translation into your assessment or your identification with the association
of each of these particular colors.
You attribute many different types of associations with color in this
physical dimension. You incorporate color to be descriptive of certain
emotions, to be invoking of certain types of thoughts. You attribute
color as a quality of what you define as moods. You incorporate hues
of colors within your descriptions to be offering depth to your identification
of different elements within your reality.
As to the qualities of color themselves as an energy manifestation,
so to speak, in themselves, their qualities are not necessarily associated
with the types of descriptions that you associate them with within physical
focus. In actuality, their qualities are expressed in their vibrational
rate, so to speak, for this creates differences in movement within different
dimensions.
The vibrational rate, so to speak, or quality of each color remains
consistent, and therefore, in that expression and that manifestation of
energy in different dimensions, its actual expression vibrationally remains
the same, regardless of the physical or nonphysical expression within physical
dimensions or nonphysical areas of consciousness.
This be the reason that color has been identified as a truth, for it
is consistent and may be applied to any area of consciousness, physical
or nonphysical, regardless of the translation of it within different physical
realities.
In this, the different vibrational qualities of each color facilitate
movement of energy in different manners. This is not to say that
one vibrational quality is better or more efficient than any other vibrational
quality of any other color, for there is expressed within your beliefs
that certain colors are facilitating of energy flow more efficiently than
others, for their vibrational rate is what you would term to be faster
than other colors.
Therefore, there is an association within your physical dimension that
those colors represented in which you would term to be the higher end of
the spectrum — those within your blues and your violets, and also white
— shall be facilitating more of an ease in energy flow, which is incorrect,
in actuality. The expression is different, but it is not better or
more efficient. It merely facilitates different actions.
The colors of red and orange, within your physical identification or
translation of them in your dimension, hold what may be termed as a slower
vibrational quality.
All of the speeds, so to speak, of these different vibrational qualities
facilitate different types of energy movement and may be incorporated with
different purposes, so to speak.
Therefore, in terms other than physical applications, so to speak, you
may apply an interaction with the energy associated with the color of red,
holding a slower vibrational quality, with activities such as meditations,
which shall allow you a slowing of energy, which also offers you the opportunity
to view clearly what you choose to be viewing within your meditational
activity. It allows you, within the physical dimension that you occupy
and your linear time framework, more of a slowness in energy, which many
times may be quite beneficial, for it offers you a time framework in which
to assess, evaluate, and explore.
In conjunction with that particular subject matter, I may express to
you that in incorporating the vibrational quality of the color red or orange,
for some individuals — as they are attempting to be engaging the activity
of meditation to be accessing other focuses — it may be quite beneficial
to be incorporating this vibrational quality of energy, for many individuals
move into a participation of meditation in the attempt to be viewing other
focuses, and they view a stream of focuses before them which appear to
them to be moving quite quickly.
And in this, they objectively experience difficulty in isolating any
one focus and allowing themselves to be viewing any one particular focus,
for it appears to them objectively to be a type of whirlwind of fast-moving
scenarios or pictures, in a manner of speaking, and they experience difficulty
in slowing this movement, that they may allow themselves to be focusing
their attention upon any one particular focus. The incorporation
of the vibrational quality of red or orange, in its slow flow of energy,
is quite beneficial in facilitating a slow movement, which allows an individual
to be viewing one particular focus.
In other scenarios, it may be beneficial to be incorporating the vibrational
qualities of those colors identified as indigo or violet, purple, for they
incorporate a very high vibrational quality, and in this, they may facilitate
movement in different directions as you explore elements of consciousness.
This incorporation of these colors may allow you more easily to be accessing
information in conjunction with viewing physical elements of your reality
through an empathic activity. They may also be facilitating of movement
that you may choose to engage in viewing or tapping into world views within
consciousness.
Yellow and the color of green and also blue, holding an intermediate
type of vibrational quality, may be instrumental in your action of projection
within consciousness. These colors — not holding quite the slowness
in vibrational quality of the red and the orange but not quite as rapid
in vibrational quality as the indigo and the purple — are facilitating
of movement within your dream state, within your activities of projections,
within an accessing of engaging certain inner senses, allowing you to be
tapping into different layers of consciousness within your objective waking
state; the incorporation of what YOU identify as psychic abilities.
Therefore, the actual qualities of color lie within their vibrational
expression, and how that is a movement of energy, and how that may be incorporated
or applied within any area of consciousness, physical or nonphysical.
This is not to say, Yarr, that your assessment of the qualities of color
are incorrect, for within your physical dimension and relative to your
physical dimension, your offering of assessments of the qualities of color
are accurate in your definitions.
JIM: Okay. Well, I can see where you went with it and I
can really identify with a lot of that, with imagery that I’ve presented
and colors and so forth that come before my mind’s eye within my vision.
I can definitely see the correlations there, and that really makes a lot
of sense.
Now in exploring these, if we also explore the color along with the
sound that we had discussed, would that tend to activate the color? It
would seem to activate the action of the color, incorporating the sound
with the color as well.
ELIAS: Think to yourself of what you identify in your physical
reality as a tuning fork. In this, you may strike a tuning fork and
it shall create a vibrational quality. That vibrational quality shall
radiate from the actual object, creating a tone that in waves shall be
affecting of actual physical matter, correct?
JIM: Um-hmm.
ELIAS: Now; in a similar manner, you may incorporate tone and
color, and they shall be in vibrational qualities affecting of each other
and shall resonate a richness in vibration which may be incorporated in
many different manners, for they ARE affecting of each other and may be
manipulated in conjunction with each other and shall resonate together,
in a similar fashion to your tuning fork and how it may actually create
a movement of energy that shall move physical objects.
JIM: Oh cool! Okay, it sounds like I have some investigating
to do! (Laughing)
ELIAS: Ha ha!
JIM: What about black, the color black?
ELIAS: Black — this is an interesting color manifestation that
you have created within your physical dimension; your identification of
it and your viewing of the vibrational quality, your expression of the
color black and your identification with its meaning or its ability to
invoke associations en masse within your physical dimension.
In actuality, this particular vibrational quality would not be identified
in the slowness of the reds and the oranges. Black would be associated
in vibrational quality comparable to the vibrational quality of white.
JIM: Okay....
ELIAS: Black holds a slightly higher vibrational quality to white,
but your mass belief is to identify white as purity and light, which is
associated with enlightenment, and the mass belief in conjunction with
black is a thickness and a negative quality, a blocking of energy, a trapping
and holding of energy.
In actuality, this particular vibrational quality may be facilitating
of movement within consciousness that allows for a free flow in interconnectedness
and a flow into the accessing or tapping of collective consciousness subjectively.
Black may also be incorporated within the dream state or meditative
state in facilitating movement in a manner to a portal into other areas
of consciousness, physical or nonphysical. This vibrational quality
may be incorporated as a portal into other physical dimensions.
JIM: Hmm. Cool! Okay. Alright, I shall investigate
some more!
ELIAS: Ha ha!
JIM: Okay, we talked about white. So white and black carry
a lot of the same qualities. Black would also hold all the other
colors like white does?
ELIAS: Yes, you are correct.
JIM: Alright, and then magenta? I guess that’s my least
understood.
ELIAS: This color or vibrational quality is least understood,
for this vibrational quality would be identified in physical terms as the
farthest removed from you. This particular vibrational quality is
instrumental and facilitating in actions that you may choose to incorporate
within physical reality in conjunction with nonphysical areas of consciousness.
This particular vibrational quality, if you are incorporating it as
a tool, so to speak, may be used in the manipulation of energy to be accessing
experiences and information within the action of transition nonphysically.
It may be incorporated in your conceptualization sense in the direction
of movement through consciousness, in the accessing of what you in this
dimension identify as a collective consciousness.
Now; let me express to you that this collective consciousness may not
necessarily be confined to this one particular physical dimension.
Therefore, this vibrational quality allows you a movement into the collective
consciousness of essence, which incorporates all physical dimensions.
This particular vibrational quality of this color is more removed from
you, figuratively speaking, objectively, and you may incorporate much more
practice in allowing yourself to be interactive with that particular vibrational
quality.
In this, I am suggesting to you that you allow yourselves, in conjunction
with this particular vibrational quality, a time framework of familiarity
and of practice, AND an allowance, within your physical identification,
to be incorporating a strong identification with your identity within this
particular manifestation and physical dimension.
This particular vibrational quality may be incorporated to facilitate
actions such as Michael has engaged previously in conjunction with this
energy exchange, of which I am NOT encouraging without a familiarity of
self and identity within this particular physical manifestation.
Therefore, I am encouraging first of the individual to be allowing themselves
an acceptance of self — in the genuine expression — and also a recognition
of their individuality and identity in this physical focus, for this may
be confused in the allowance for the incorporation of that particular vibrational
quality of this magenta.
JIM: Wow. I’m going to have to leave that there. It
sounds pretty powerful.
ELIAS: Quite. ALL of these vibrational qualities are very
powerful, and I have expressed this to Rudy previously.
Therefore, I am expressing to you all that you be recognizing of this
as you choose to move into your investigations incorporating the movement
of energy and the vibrational qualities and the exercising intentionally
of these colors and their vibrational qualities, for each of them holds
a tremendous expression of what you may identify as power in energy.
No one is any less than any other one. They merely perform different
functions, so to speak.
But I may express to you that you may be manipulating the slower vibrational
colors such as red or orange, and you may encounter surprising developments
that you objectively are not anticipating equally as readily as you may
incorporate unexpected developments in the incorporation of magenta.
JIM: Hmm. Okay. Well, that sounds like fun.
I’ve been working with them a lot. Would pink pretty much fall in
the category of yellow, green, and blue as well?
ELIAS: Yes.
JIM: Okay, so pink also holds those qualities somewhat.
Alright. Well, that’s neat, Elias. Thanks. I’ve got a
lot to look at there, a lot that I’ve felt and things that have come to
me, but not maybe understanding why those particular colors came up and
so forth, and so I’m gonna enjoy that. It’s gonna be fun!
ELIAS: Ha ha!
JIM: In our last session we discussed the birds, my bird imagery
that had been brought before me, and your answer made me look! I
went through quite a bit of emotions with that and so forth, and finally,
a few days later, I was kind of working through things....
ELIAS: Ah, but you are creating movement, and I am expressing
acknowledgment of your movement, for you may be looking to self and also
examining your automatic responses and the relaxation of those automatic
responses.
JIM: That is precisely what I saw occur!
ELIAS: Ha ha! Very good, Yarr!
JIM: And then when my imagery began to change, I began to see
hawks and very large ravens that just seemed to appear, and then just a
second later, seemed to kind of vanish. I thought those were pretty
interesting too.
ELIAS: And now you allow yourself the beginnings of the incorporation
of new freedom!
JIM: Ah, okay. Well, that’s fun!
ELIAS: Ha ha!
JIM: I have a question for our friend Jenaro/Archer. He wants
to know how many focuses you and he have shared together. (Slight pause,
and Elias chuckles, and Jim laughs)
ELIAS: Now ...
JIM: I’m sorry. What?
ELIAS: ... I shall express to you, and you may express to Archer.
In relation to his movement and the direction that he incorporates and
the swiftness of movement that he incorporates, you may offer the inquiry
from myself to Archer: Of what significance shall this offer to him,
within this time framework presently, that he hold the objective information
offered by myself of a number of focuses within this physical dimension
that he occupies with myself, and how shall this question be of consequence
in relation to his movement and his direction or his intent within this
particular focus?
You may follow this inquiry with the statement from myself that he,
within his allowance of himself to be accessing information of other focuses
that he holds, may quite easily be responding to this question himself
and offering himself the answer. (Grinning)
JIM: Okay. (Elias chuckles) Yes, I can see that. Okay.
ELIAS: Archer holds great ability in this expression. He may
be accessing of other focuses with ease. This is not an area in which
he incorporates difficulty. Therefore, this is inconsequential, for
myself to be engaging this type of inquiry from this individual.
JIM: Understood.
ELIAS: Ha ha ha!
JIM: Good answer! Okay! (Laughing)
I’m listening to all this, and in understanding our own vibrational
quality of essence and so forth, we also would hold a sound — Yarr being
the sound — but we also hold somewhat of a musical note within our expression
of essence?
ELIAS: Yes.
Now; let me express to you Yarr, this may be easily identified.
You may incorporate this activity as an exercise and offer yourself this
information with ease. You may be audibly expressing in whichever
manner is most comfortable to you.
Now; be understanding that my expression of comfortable is not a statement
of any type of expression, for the expression may be offered in excitement,
in forcefulness, in quietness, in any type of audible tone that you are
so choosing and that is pleasurable to you, and as you incorporate that
action, you may also experiment with a musical instrument, and in this,
as you allow yourself to be expressing your tone of your essence name,
you may also explore different musical notes, and you shall easily find
the one note that resonates with your essence name.
JIM: Okay. I think with my flutes, the native American flutes
that I play, I very much enjoy my F sharp. That seems to be my flute
of choice, and that’s what I associate with my vibration.
ELIAS: You are very correct, and you may incorporate this musical
note within other musical instruments, and you may view that you resonate
with this note.
JIM: Okay, cool.
ELIAS: Very good, my friend! (Chuckling)
JIM: Hmm?
ELIAS: Very good, my friend!
JIM: Well, thank you. It’s fun! I had some other inquiries,
but I think I’m going to work with these colors and do some work within
self and see what I come up with, do that trust in self thing!
ELIAS: Ah, and I am quite encouraging of this activity!
JIM: You’ve given me some wonderful information, Elias, as always,
and I greatly appreciate all of your interactions, physically and nonphysically,
and I ... oh, one last clarification.
I believe I’m understanding a lot here lately from our last session.
I’ve been reading some Seth material on animals and healing and their nature
of healing and how accepting they are of their own nature, not holding
the beliefs, and what we had talked about last time in their incredible
ability to be healing of themselves, particularly when we had a respiratory
virus go through our pony herd. I trusted in them to take care of
it themselves and didn’t feel I had to intrude, and sure enough, everybody
kind of got a little cold, and it went away.
I’m beginning to see things differently, but I’ve got some animals that
are moving into old age, in my view. Do they hold the beliefs that
I hold of old age, that things begin to deteriorate, or is that a process
of their own nature within consciousness, that things do evolve, that things
do change? In particular, there’s one pony named Rose, a very old
pony, and she’s sick right now, and I wonder about her, but there doesn’t
seem to be ... I’ve tried to work with her empathically, and I don’t seem
to pick up very much. I feel that there’s something going on, but
I don’t feel there’s anything wrong, or there’s nothing I can really do.
I’m a little bit foggy in this area, if you could maybe give me a little
bit of clarification. I know there’s nothing that I have to do, in
the responsibility issue and so forth, but I feel that she’s kind of asking
me for something, and perhaps I’m not quite seeing it clearly.
ELIAS: To be noticing.
JIM: To be noticing?
ELIAS: To be noticing of the ease of acceptance in incorporating
a natural flow, and NOT incorporating the expressions of the beliefs which
move you in the direction of wishing to be altering of choices or of certain
movements of energy.
In this, as to the subject matter of aging, this in part incorporates
a belief system, but I shall also express to you that there is an element
of this process of aging within your physical dimension that is not a belief
system.
Now; this would also be included, in a manner of speaking, as an aspect
of this present belief system which is being addressed now. This,
as the belief system of sexuality, be remembering, is also not a belief
system.
The creation of sexuality in one respect is a base element of your physical
dimension, but you have also created a very large belief system in conjunction
with this base element of your reality. Therefore, there are some
elements of this expression of sexuality that are incorporated as beliefs,
and are also outside of your belief systems as an expression of what you
have chosen to be creating.
Now; be understanding that in these expressions, this is not to say
that you may not alter or choose differently these manifestations of these
particular expressions which are not necessarily a belief. The aging
process, so to speak, is an element that you have incorporated into your
physical reality which in itself is not a belief or not an aspect of a
belief, but merely a design of form of a linear time framework in which
you allow yourselves to participate within the physical experience of this
physical dimension.
Figuratively speaking, it may be likened to an appointment. You
offer yourself a time framework to be engaging an appointment, and in a
similar manner, figuratively speaking, within consciousness you create
an appointment with this particular physical dimension, and you create
a time limitation upon that appointment.
Now; in this, you also create a type of movement in that linear time
framework.
Now; you also create a belief in conjunction with that appointment,
that you shall be deteriorating, in your terms, gradually, to the point
of a lack of function, and in that moment, you shall choose disengagement.
This is not in actuality the design of the form. It is the belief
which has been created around the design of the form, and which is projected
within consciousness to all elements of your reality.
This is the suggestion of temporariness, but that you need be creating
a reason objectively to be disengaging, not merely that you are choosing
to be disengaging. Therefore, you offer yourselves this aging process,
and you create beliefs around this aging process.
Creatures, be remembering, do not hold the beliefs. They do participate
in the choice that has been inserted into this physical reality of this
aging process, but they do not attach to the belief system which surrounds
this movement in energy in this aging process. Therefore, there is
merely an acceptance that this is what you have chosen to be creating in
this physical dimension as a particular movement of energy. This
is acceptable.
JIM: Okay. That’s understood.
ELIAS: This be the reason that you may be viewing some of your
creatures to be quite active and appearing to be displaying behavior that
may be likened to a very young creature at very old ages.
JIM: That’s precisely how it is with this one pony, Rose, which
I think is interesting because of her name too. (Elias chuckles)
So she’s moving into that area then, of acceptance and an appointment?
ELIAS: YOU are in the expression of the appointment within the
physical manifestation. The creature is merely displaying an acceptance
of the natural movement of energy as it has been chosen to be manifest
in this physical dimension.
JIM: Okay. I’m gonna work with that too, and investigate
that.
Well, Elias, I think that’s about all for the time being, at least on
the phone! (Laughing)
ELIAS: Ha ha!
JIM: I’m sure we’ll be together many times. I look forward
to these interactions. It was nice viewing you, and nice energy when
you were here in Castaic. It was kind of funny. After you had
spoken to me, a couple people came up to me and asked me, “Are you okay?”
I said, “Yeah, sure, I’m okay. Just looking at self, that’s all.”
(Laughing)
ELIAS: Ha ha!
JIM: I had quite a few different reactions. It was quite
amusing. What I received ... I guess that really jerked my chain
and made me look, of which I was looking at before, but you seem to have
the insight to make us look a little bit harder, and that’s good.
I appreciate that.
ELIAS: Only as you are holding a willingness and a readiness to
be receiving that information.
JIM: Absolutely. That’s quite understood. Well, I
guess I’ll see you in the next millennium!
ELIAS: Ha ha!
JIM: It should be quite a joyful year! I’m looking forward
to it. I think there’s been quite a few things that have been set
up that I feel are beginning to ripen, and I’m really looking forward to
it. It’ll be quite a year, quite a shift!
ELIAS: Quite! (Chuckling) I express to you, Yarr, much affection,
and I shall be expressing to you also, in your very physical terms, in
acknowledgment of your feasting and celebrating time framework presently,
an acknowledgment of your holidays. To you....
JIM: Yes, there’ll be much of that! (Laughing) Thank you
so much, and it’s been wonderful chatting with you today, as always.
In the years past, you’ve truly been a great friend.
ELIAS: You are very welcome, my friend. I offer to you and
to Borloh much affection, and express to you lovingly, adieu.
JIM: Adieu.
Elias departs at 10:59 AM.
© 2000 Vicki Pendley/Mary Ennis, All Rights Reserved
Copyright 1999 Mary Ennis, All Rights Reserved.