Reappearing Lost Objects; Valuing Yourself
Topics:
“Reappearing Lost Objects”
“Visualizing Interconnectedness”
“Meditation Is Its Own Discipline”
“Working with a Construct”
“Valuing Yourself”
“Pearl Energy Applied to the Process Not the Outcome”
Monday, December 2, 2024 (Private/Phone)
Participants: Mary (Michael) and Terri (Uliva)
ELIAS: Good morning!
TERRI: Good morning.
ELIAS: And how shall we begin, my friend?
TERRI: Well, it’s been a long time. Lots to… Lots of cool things to talk about. So the first—
ELIAS: (Inaudible)
TERRI: Yes. The first thing I’d like to talk to you about is help in reappearing lost objects. I need to (laughs) get better at this, so… (Both laugh) I did do the other day, I managed to lose fifty dollars from walking from this person’s house to my car and it wasn’t turning up. So I pictured myself inside, putting up a hand and saying, “Stop!” like stop disappearing shit. And I put like a glowing halo around the fifty-dollar bill and was able to reappear it by the husband finding it.
ELIAS: Aha!
TERRI: So that was good, but I need to reappear my keys which is such a mystery, how they so thoroughly disappeared that day. And I’d like to help my friend Lori reappear her wedding ring that was her mother’s. So if you could give me some tips on how to reappear these things. (Laughs)
ELIAS: And your “Stop!” method isn’t working?
TERRI: No, it has… I’ve tried everything with my keys. I’ve pictured my glasses I lost and I pictured – and I did this for the money too – holding out my hands and seeing the glasses fall down into my hands. And that worked. And I tried that with my keys. I tried neurographic drawings for my keys for like seven days. I lost them back in July. The day that I lost them, I made it home. I had my dogs. I didn’t stop anywhere. So I just lifted the hatch, got the dogs out, walked inside, and everything goes in one place, right inside my RV. And I’m like, “Where the fuck did they go?” How could they so thoroughly disappear in walking fifty feet, when nothing else was going on that afternoon? (Laughs)
ELIAS: (Chuckles) And I would say that’s the… That’s the point of when you disappear something. It doesn’t follow logic.
TERRI: Well, that certainly is true in this case. (Elias laughs) The only thing I’ve come up with is that they fell out of my pocket or my hand in the yard, and a raven carried them away. Because I believe I have looked everywhere, multiple times. I cannot find this blue leather octopus keychain. (Laughs) It’s like five inches round! (Laughs)
ELIAS: And did you see a bird?
TERRI: No. (Elias laughs) No.
ELIAS: Then that’s likely not the scenario.
TERRI: Okay. (Elias laughs) Okay. So what are the steps that I—
ELIAS: I would say that what I would suggest is… Are you meditating?
TERRI: Well, you know, I like to believe that I am (laughs) or I like to think that I am. I do a reiki session every morning and I think of that as a form of meditation too, but I do find my mind wandering to current things happening. But it is a quiet time just for myself, and I’ve had a lot of luck in – hopefully you’ll verify this – in developing and recognizing more what interconnected is. Because when I do this practice, I started picturing like space and all of the stars being all of the other essences, and picturing like dotted lines that connect us all and sending out messages. If I need help with something, sending the message out to that network, the consciousness network and trusting that it will be received by the best person or people to help me accomplish what I want to accomplish. And I’ve had great success with that, I believe. Would you agree with that?
ELIAS: I would.
TERRI: That’s been really cool. I think I finally understand what interconnectedness is and what it means, and how I’ve started to utilize it. I’ve created some really cool things here. I mean this is… You know, I don’t, I don’t know if this area is helping or that I’ve just shifted so much from all of the work I’ve been doing all of these years. Or is it a combination of both?
ELIAS: I’d say it’s a combination of both.
TERRI: Okay. Because this is a pretty magical place. (Laughs) It took me ten years to be ready to… to be ready for everything it has to offer, but I’ve created some pretty amazing things since I’ve been here.
ELIAS: Excellent.
Now; I would say that meditation doesn’t mean you have to be quiet. It doesn’t mean that you have to be (pause) not thinking or not visualizing or not doing anything. It doesn’t mean that. And in that, it depends on how you’re meditating. But I would definitely encourage you to be meditating once a day. And in that, what I would say is I would encourage you to visualize. You’re a visual person and in that, I would encourage you to set an intention and visualize, and I would say visualize your keys simply being found but not necessarily how. Leave that part open so that you are allowing for the keys to come back to you in any way possible.
TERRI: And with the money I put like a glowing halo around it.
ELIAS: Excellent. That’s excellent.
TERRI: So anybody could pick up on, you know, finding them?
ELIAS: Correct.
TERRI: Okay.
ELIAS: And that allows it to be more obvious.
TERRI: So did I create disappearing them as like a training exercise for myself?
ELIAS: I would say as an encouragement for you to eventually begin to genuinely meditate.
TERRI: Oh. Okay.
ELIAS: And that it is something that is tremendously beneficial, in every direction.
TERRI: So differently than the reiki session? You wouldn’t call that a meditation?
ELIAS: Yes. Yes.
TERRI: Okay. So would it be… Is it more like the inner landscape exercise?
ELIAS: No.
TERRI: Okay. So what exactly am I doing then? (Laughs)
ELIAS: Meditation is its own discipline. And as I said, it’s something that you do to center yourself but you can use meditation in relation to any subject and any direction. But it’s its own discipline. There are many different forms of this discipline, but it is different from other disciplines.
Therefore what I would say to you is I will offer you the… one of the simplest instructions of how to begin.
TERRI: Okay.
ELIAS: Follow along with what I am expressing. You incorporate your index finger and middle finger.
TERRI: Okay.
ELIAS: And put them on the bridge of your nose.
TERRI: Okay.
ELIAS: And then with your ring finger and your thumb, which are on opposite sides of your nose, you use those two fingers to block one side of your nose, one nostril at a time. Therefore if you begin with your thumb, you block that nostril and you breathe in through the other nostril. Then you take your ring finger and you block the nostril you just breathed in through, and you breathe out through the other nostril. Do you understand?
TERRI: Yep. I was trying it. (Laughs)
ELIAS: Therefore you are, therefore what you’re doing is rocking back and forth with your index finger and your middle finger on the bridge of your nose and you count: one, one; two, two; three, three until you reach nine. Then you switch. You pause and the nostril that you just breathed out through, now you breathe in, and you switch it. And you do that nine times: one, one; two, two; three, three and so on.
TERRI: So the one, one is your inhale, exhale? Is that correct?
ELIAS: Yes.
TERRI: Okay.
ELIAS: Yes.
TERRI: Okay.
ELIAS: Inhale, exhale.
TERRI: Okay.
ELIAS: Then take a deep breath. Let it out. Take another deep breath. Hold it for a count of five and let it out. And now you begin your meditation. What this does is it conditions your brain to start. It’s setting up your physical brain to start the meditation. It’s very effective.
TERRI: Okay.
ELIAS: Then you can start your meditation, and you can do the meditation however you choose. But I would suggest for you to begin – you can change this as you progress, and as you develop you can change it in any manner that you choose – but I would suggest that you begin with visualizing energy.
TERRI: Okay. I can do that.
ELIAS: You can make it whatever color you choose. Visualize the energy. Set the intention that you want your keys found, or whatever. And in that, then visualize your keys and yes, you can visualize a particular color or light around them so that they are noticeable. And in that, you’re simply allowing them to glow.
TERRI: Right.
ELIAS: Then move on to something else and just continue that meditation each day until you find them.
TERRI: And can you… when you say move on to something else, then I can…? So I can move on to meditating on something else? Like if I… Like the intention that I set at the beginning—
ELIAS: It doesn’t have to change. That’s… That’s your first intention and in that, as you progress in your meditation, that will only involve perhaps five minutes or less.
TERRI: Right.
ELIAS: Therefore then you can move on to some other subject that interests you or that you want to explore or that you want to accomplish, whatever it may be.
TERRI: Okay. And then I’d really like to help Lori reappear her wedding ring. It means a lot to her. Why did she disappear that?
ELIAS: And what is her impression?
TERRI: Well, she chalks it up to… She thinks that she lost it. She went down to feed the horses and she didn’t put her gloves on. And she thinks she lost it outside while she was feeding the animals. So I guess if I had to sum that up, that she didn’t put the gloves on to protect it and she’s paying for it by losing it, by disappearing it.
ELIAS: (Pause) I would say not paying attention.
TERRI: Right.
ELIAS: Not listening to her own intuition.
TERRI: So is it still possible to reappear it? Or is it just lost in the hay and the dirt forever?
ELIAS: It’s possible. It is possible.
TERRI: Is it probable? (Laughs)
ELIAS: I’d say (pause) it’s probable or it’s more likely with some work.
TERRI: On her part? Or can I help her?
ELIAS: Yes, on her part.
TERRI: And the work would be…?
ELIAS: Not simply setting an intention to find it, but actively engaging action to find it. Therefore it may be… (Pause) It may have already been stepped on and therefore it could be in the dirt, but pushed into the dirt. Therefore it may require a little bit of work to find it, but it is possible.
TERRI: Okay. So she was correct that it fell off while she was feeding? Is that true?
ELIAS: Yes.
TERRI: Okay. So it is down there by the barn somewhere?
ELIAS: Yes.
TERRI: Okay.
ELIAS: Unless she moves it into her house, and then she can find it there. But as it stands presently, that’s where it is now.
TERRI: Okay. So if we work on retracing her normal routine—
ELIAS: Yes.
TERRI: Okay. Okay. Cool. All right.
So then I wanted to ask about why I pushed off the eye surgery. It’s… It’s… I know it’s going to be created, but I had to wait because the surgeon was moving to a new practice, and then I found out that practice wasn’t taking my insurance but her other practice is, so I’m still on it and I have a backup appointment. But I’d like to know why I created it, why I created these delays.
ELIAS: And your impression?
TERRI: So, one impression, since I kept the other one closer, was that it would just be a convenience factor. But… And the other thought I had was that – and I’ve really been mindful of the level of excitement – that I was excited about it and that excitement pushed it off.
ELIAS: (Pause) There may be some element in the first part, in bringing the physician closer to you.
TERRI: Okay.
ELIAS: As to the excitement element, I’d say no. I would say that hasn’t affected it.
TERRI: Okay. Good.
ELIAS: What I’d say is that what has affected it is that even though you’re moving in directions that are available to you, you don’t necessarily trust insurance or physicians.
TERRI: Okay. But I really… You know, I really connected with her and believed that she’s—
ELIAS: I understand. I didn’t say that you would, that you would eliminate it.
TERRI: Right. So this is just uncovering, this is about uncovering other beliefs?
ELIAS: Other things that you trust or don’t trust.
TERRI: Okay.
ELIAS: And in that, it doesn’t mean that you necessarily have to change that. These are constructs.
TERRI: Right.
ELIAS: These aren’t beliefs. It’s what you believe.
TERRI: Right.
ELIAS: And in that, it’s a construct. You can change it if you choose, but you don’t have to. It’s more about simply being aware of it.
TERRI: Is it about learning how to work with constructs?
ELIAS: Yes.
TERRI: Okay.
ELIAS: And once you’re aware of them, then it’s simply a matter of choices. And in that, what I’m saying is let’s say in this example you have a construct in which you don’t necessarily trust physicians, but you meet one that you like and that perhaps you do trust a particular one. But that doesn’t mean you trust them all.
TERRI: Correct.
ELIAS: Therefore that construct is still in play, but knowing that you can focus your attention in a certain direction and then make choices in relation to that, knowing about that construct and then that construct isn’t automatic. You’re not automatically generating choices that are influenced by that construct statement you’re not aware of. Do you understand?
TERRI: Yes. Yes. So it’s about becoming more aware of constructs that are influencing what I’m creating so I can create more of what I want?
ELIAS: Correct.
TERRI: Okay.
ELIAS: Yes.
TERRI: Okay. So then – this might be tied together – but I created painting a mural on the building next to the one my studio’s onto, this huge mural on the front of the building. And everybody loved the design and everything, and then I created not being able to generate the deposit to get started. So it’s like in this limbo state. So… and I’ve activated the pearl energy over the building. I picture the mural being on the building. So I’d like to better understand what’s going on there.
ELIAS: (Pause) I’d say this is… This is an old influence that has been following you for quite some time in relation to (pause) consistently having difficulty manifesting money.
TERRI: Yes.
ELIAS: And that is something that you have engaged for years and years and years.
TERRI: Yes. So how can I move past this? I feel like I’m close. (Chuckles)
ELIAS: I would agree. I would agree. But I would also say that it’s about valuing yourself more and therefore being able to seize not only large opportunities but small ones.
TERRI: And I feel like I’ve been creating more of that with working on the horses. I do feel really confident in working with the horses and helping them feel better.
ELIAS: I would agree. And I would say this is the reason that you are close. It’s a matter of recognizing that. You were speaking about interconnectedness. This is a piece of interconnectedness with yourself.
TERRI: Okay.
ELIAS: And how your worth of yourself is tied to your choices, and what you do. And in that, now you’ve given yourself the opportunity to have a larger opportunity, and it’s a matter of balancing that with those smaller ones, and having them grow each other.
TERRI: What is…? What does that mean exactly? (Laughs)
ELIAS: Very well. Let’s look at it from a perspective of money. Are you going to be paid for this mural?
TERRI: Yes.
ELIAS: And I would imagine that because it’s a large mural, you would be paid a significant amount of money. Correct?
TERRI: Well… (laughs) That’s a good question.
ELIAS: Ah!
TERRI: I… You know I… I thought I’d… You know, I mean… I was basing the price that I asked for taking into consideration that I haven’t done a piece this large so it’d also be a learning opportunity for me. It would also act as like a billboard to attract other jobs. So I asked for $2500, and that was including all the materials, in thinking that I can keep the materials under $500 and it would give me the $2000 in profit. And that may be underpriced, but I felt with the advertising aspect and all that I would learn from it, that it was fair.
ELIAS: I’d say that’s a lot of justification.
TERRI: Yes. (Both laughs) As I do. (Laughs)
ELIAS: And you know it.
TERRI: Yes. (Laughs)
ELIAS: And (pause)… Very well. Let’s work with that.
Now; in that, what type of income are you making on the smaller actions? Or what you consider to be some smaller expression? First of all, what do you consider to be the smaller expressions or actions?
TERRI: Well, if you’re relating it in pay, probably the classes. The classes I charge $25 for two hours, again with the justification that I want people to be able to try it.
ELIAS: Very well. Yes, there is a lot of justification happening and this is an excellent— All of it is an excellent illustration of what I’m expressing to you about worth.
TERRI: Okay.
ELIAS: And how much are you charging in relation to the horses?
TERRI: That’s better. That’s $75 for a session.
ELIAS: And how long does that last?
TERRI: Between an hour and an hour and a half, depending on what’s going on with the horses, with the horse.
ELIAS: I would say for an hour, 75 would be much better.
TERRI: Okay.
ELIAS: Beyond an hour, I would say then you add onto that.
TERRI: Okay.
ELIAS: Write down $75 and in increments, so that you have that readily available. Ten minutes, fifteen minutes, twenty minutes, thirty minutes and so on. Ten minutes is an addition. Do you understand?
TERRI: Yes.
ELIAS: This is a matter of valuing you. You don’t express, “I will do this session for this amount of money regardless of how long it lasts.” No. You have a set amount for a set amount of time. And then beyond that, you add on monetarily. Do you understand?
TERRI: Yes.
ELIAS: Good. As for art classes, no, no, no, no, no! $25 for an art class for two hours? You already know that’s ridiculous. I know you know that. This is about your worth. When you believe you are worth more, you’re not questioning your choice of a fee because you’re worth that. And in that, the people will pay for that.
What I would say to you is, what you can do as a transition, as a bridge for yourself, because this is the piece about the interconnectedness in you – not outside of you, but in you, how you perceive yourself, your worth, your deserving, how you perceive your gifts and what they are worth, which is part of you. And in this, making evaluations in real situations, realistically.
Therefore if you need a bridge, in a manner of speaking, to move into a direction in which you are valuing yourself more, you could express let us say certain classes for people of limited income that you could do for $25 for an hour. Not longer. Not two hours. And then your regular classes – now what that means is these classes for $25 for an hour, these are not your regular classes. These are classes that you might offer to someone that has limited income that you know wants to engage your classes but perhaps can’t afford them. And then YOU can express to that individual, “I do do some classes for individuals that cannot afford my regular classes.” But you’re not advertising that. That’s your expression and your discretion in choice.
Because you value yourself – and let me, I’m going to use a word here that for the most part I usually use in a manner that I’m expressing don’t do. But in situations such as this, I would say do do, which is generating an expectation that because you value yourself and because you are expressing your worth, you will set a fee for your classes and you expect that it will be met. And you’re not afraid that if you move in this direction, no one will respond to you, because you’re worth it and what you do is worth it.
Now; in that – and I’m not expecting you to change this immediately. I understand. This is something that requires practice and this is something you’ve been carrying with you for most of your life. Therefore it’s not something that’s going to change immediately, but you can change it. And you can start moving yourself into a different perception now.
Now; I would ask you, simply between myself and yourself, if you had the freedom to set whatever fee you chose, what would your fee for your classes be?
TERRI: It would be similar to working on the horses, $75 an hour.
ELIAS: I would definitely agree with that. I would definitely agree.
TERRI: Well, and then I also wanted to ask how I can increase sales in the art gallery or bring more people to the art gallery. I’ve tried different things and the tasting room is there too, so I’m…
ELIAS: What have you tried?
TERRI: Well, we’ve advertised events on Facebook and in word of mouth, that we’re creating experiences and they can come spend an afternoon and do lunch and a wine tasting and create art. And so my idea is promoting it more as a relaxing afternoon getaway, that you can come to the area. We’re forty-five minutes from Tucson so they could come up for the day and have a unique and interesting afternoon.
ELIAS: Very well. And if you are moving in the direction of advertising, then I would say (pause) be colorful and creative and create not large but perhaps small posters that you can put around town or that you could even go to different shopping areas in Tucson and put them up there.
TERRI: And I was wondering, does part of this have to do with Chris and Lori not wanting to be busier? I feel like there’s something in there that, you know, we don’t have as many wine tours stop in as some of the other wineries, and they say well they’ve been around a lot longer. But I’m wondering if part of it is that they don’t want to be really busy all the time?
ELIAS: That is a factor. And what I would say to you in that, my friend, is (pause) it’s important for you to be generating directions of creating more money for you.
TERRI: Correct.
ELIAS: Not for other people. Especially because other people don’t always want to make more money.
TERRI: Right.
ELIAS: It’s not something that’s necessarily important to them. And therefore you’re, in a manner of speaking, pounding your head against the wall.
TERRI: Right. And I wanted to know why I stopped, why I created not getting the child support any more? That was a huge help every month and… What did I do there?
ELIAS: I’d say that this is all, this is the theme for today with all your questions, with all your directions. I would say that it all has to do with you moving in a direction of (pause) generating for you. To not be dependent on other people and what they do, but for you to be generating for you. And that has to do with this self-worth piece.
TERRI: Is that tied in with the dog food business too? Because—
ELIAS: Yes.
TERRI: The check has diminished. How can I bring that back up? Is this all about meditating on my self-worth or…?
ELIAS: I would definitely, definitely encourage you in that direction. I would say to you, my friend, if you are genuinely meditating, that that in itself is such an important action and can be so astounding to you, what you can do with that.
TERRI: Okay, so once I start meditating, just visualize energy but not necessarily creating like scenarios?
ELIAS: What I would express, what I would suggest to you, is that in your meditations, concentrate on your worth. Concentrate on centering yourself and how much you are worth. (Pause)
TERRI: Okay. So just ask that question? Or…? I’m not sure what to do with that.
ELIAS: You don’t have to do anything. You simply concentrate on your worth. You don’t have to ask the question, “How much am I worth?” (TERRI laughs) No. You express, “I’m worth.”
TERRI: And then leave it open-ended?
ELIAS: “I’m valuable. I am valuable. I am worth.”
TERRI: Okay.
ELIAS: And in that, that’s your concentration. You don’t have to do anything else with it. You simply concentrate on that. You can turn it into whatever you choose. You can turn it into a color. You can turn it into a color and a shape. You can turn it into a shape. It doesn’t matter. In that, you can move it around if you choose. but whatever you do with it what it is, is a symbol of your value, your worth.
TERRI: Okay.
ELIAS: I would suggest that you DO create some type of visual for that, some type of symbol for it, because that will help you to concentrate on it. And then you can simply meditate on that.
TERRI: Okay. And is that why the pearl…? I’ve been using the pearl energy, but I don’t always… I don’t feel like it’s been as effective as the way that you’ve described it could be. Is that what’s getting in the way?
ELIAS: I would say partially. And how are you using it? Because the pearl energy is very easy.
TERRI: Right. So like for the mural, I can see the building when I stand outside in my front yard. And I picture it, the pearl, over… The Lunchbox is the building. And I say I’m activating the pearl energy to create the deposit to start on the mural, and I picture the mural on the building. And that hasn’t been successful yet. (Laughs)
ELIAS: Of course not, because you’re focusing on a outcome. You’re not focusing on the process.
TERRI: Okay.
ELIAS: And you’re not focusing on your value.
Now; in this, what I would say is you’ve already given that price. Correct?
TERRI: Correct.
ELIAS: Therefore this is a learning experience. And in that, now you know and when the next one comes along, don’t do that.
TERRI: Don’t do what?
ELIAS: Don’t undersell yourself.
TERRI: Okay.
ELIAS: You already know you were justifying in that. You already knew that that was an unfair price. Therefore in that, don’t do that again.
TERRI: Okay.
ELIAS: You are worth more than that. (Pause)
TERRI: So when you’re talking about the pearl energy—
ELIAS: The pearl energy works very well, but it’s only going to be successful in what you allow it to be successful in. And in that, if you are not expressing your value and your worth and you’re involving that in something that you are using the pearl energy for, such as this project, then it’s not going to be – it’s only going to be successful as far as it can be.
TERRI: So you’re saying not to focus on the outcome, not to focus on it being created and done, but—
ELIAS: Correct.
TERRI: — but on the process.
ELIAS: Correct.
TERRI: On the process of what? Painting it?
ELIAS: The process, the process of engaging it.
TERRI: I still don’t follow. Like actually painting it?
ELIAS: Yes. Yes. Preparing it, painting it. It’s a significant process.
TERRI: Right. And would it be the same for the art gallery? So instead of picturing the pieces being sold, picture the people coming, more people coming in to view it?
ELIAS: Yes.
TERRI: And the process of talking to them and purchasing it?
ELIAS: Yes.
TERRI: Okay. So apply it more to the process than the outcome.
ELIAS: Always.
TERRI: Okay.
ELIAS: Always move in that direction.
TERRI: Okay.
ELIAS: If you are focused on the outcome, you’re going to be disappointed.
TERRI: Okay. So focus on the process. So is the child support gone for good? Is…? I don’t know. Did he…? I researched it and didn’t find anywhere where he had gone somewhere and discontinued it, so is it still possible to bring it back? Or it’s just gone?
ELIAS: Yes, it is. Yes, it is. I would say that in similar manner to your friend with the ring—
TERRI: Yes.
ELIAS: — it might require more action, such as being a squeaky wheel.
TERRI: What does that mean?
ELIAS: It means being noisy about it. Contacting whomever you require to contact to engage him to continue.
TERRI: But it’s court-ordered, so is it a…? Wouldn’t it be a matter of him just working somewhere? It’s automatically garnished.
ELIAS: If it’s court, if it’s court-ordered, then follow up with the court order.
TERRI: Well, I’ve tried that but we’ve both left the original state. So as far as I understand it, if money comes in through a paycheck that’s issued, that taxes are reported, it’s attached to it. So I’m assuming he is on disability or has found a way to work under the table or… I don’t know.
ELIAS: I—
TERRI: I don’t know how he created not paying it. (Laughs)
ELIAS: By not having a traceable income.
TERRI: Right.
ELIAS: And I would say (pause) it depends. Is it possible to create that to begin again? It’s possible. It doesn’t appear likely in the near future, but that doesn’t mean it’s not possible.
TERRI: Okay. And then I wanted to ask Scooby’s true age. He was, you know, promoted as a two-year -old. He’s definitely not a two-year-old. I’m thinking he’s eight.
ELIAS: (Pause) Expressed (chuckles) as two?
TERRI: Yes. (Laughs) They promoted him online as a two-year-old dog, which he’s definitely not.
ELIAS: No. I agree. One moment. (Pause) No, not eight. Approximate six and one-half.
TERRI: Okay. And then I’ve been wondering about my birth father. I’ve started taking guitar lessons and I remembered reading in his interview that he liked to play guitar, which has kind of brought him back around again. But I don’t have, they won’t give me information on him through the agency because he was deceased. So Curtis actually suggested asking you for help in finding his true name. I’m not in contact with my birth mother anymore and she couldn’t really remember the name anyways. So I was wondering if you could give me any hint or a direction to look in?
ELIAS: And what have they got as a listing?
TERRI: There is no—
ELIAS: Or they haven’t bothered?
TERRI: Yeah. There is no listing because since he’s deceased, they won’t give me any information on who he was.
ELIAS: Which is ridiculous, but very well. (Pause) Ah. Interesting. First name: Curtis.
TERRI: Wow! (Laughs)
ELIAS: There are no coincidences. (Pause) Last name: O’Reilly.
TERRI: Oh, wow!
ELIAS: A nice Irish individual.
TERRI: Well, and his… In the notes, it said he was German. (Both laugh)
ELIAS: Incorrect.
TERRI: Oh, okay. And she had said he was in the Coast Guard branch of the military. Was that correct?
ELIAS: For a brief time, yes.
TERRI: Okay. And my DNA is… I had a DNA test done and put it up on the websites that help you find your ancestors, and I don’t believe I’ve had any hits on his side of the family unless I’ve just… I don’t understand how to read it and I’ve missed it somehow.
ELIAS: It’s very possible that you wouldn’t. I would say that he wasn’t an individual that was very consistent.
[The timer for the end of the session rings]
TERRI: Okay. And would he have been in the Coast Guard in 1966?
ELIAS: (Pause) 1965.
TERRI: Okay. Okay. Well, that’s a place to start.
And just a quick question. What Nuno is doing is different from sidestepping into a probable reality as you’ve described in the recent sessions. Is that correct?
ELIAS: That is definitely correct. Yes.
TERRI: Okay. Okay. Because I was thinking I could also set an intention to sidestep into a reality where I had great self-worth and financial success.
ELIAS: I would say you can tap into other focuses also.
TERRI: Okay. Okay. I will work with that. The timer is going off. It’s so great to talk to you again, and thank you for so much valuable information. I really appreciate it.
ELIAS: You are exceptionally welcome, my dear friend. And I express tremendous, tremendous encouragement to you in all of your endeavors.
TERRI: Thank you.
ELIAS: Work on that self-worth and value.
TERRI: I will, starting today. (Chuckles)
ELIAS: It’s important.
TERRI: Yes.
ELIAS: Excellent. Good. It is very important.
TERRI: Thank you.
ELIAS: And meditation is valuable.
TERRI: Yes. I will begin today.
ELIAS: Excellent, my friend. I shall be looking forward to our next meeting.
TERRI: Me too.
ELIAS: I will be offering my energy in tremendous support and encouragement, as always.
TERRI: Thank you.
ELIAS: In wondrous love and dear friendship, and in appreciation of (inaudible), until our next meeting, au revoir.
TERRI: Au revoir.
(Elias departs after 1 hour 3 minutes)
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