Creating Menopausal Imagery
Topics:
“Creating Menopausal Imagery”
“Color as an Energy Signature”
“Simultaneous Primary Aspects”
Saturday, August 21, 1999
© 1999 (Private/Phone)
Participants: Mary (Michael) and Letty (Castille).
Vic’s note: As I’ve noted before, Mary has been
experiencing pain in her arm, wrist, and hand from holding the telephone
receiver during sessions. I suggested to her recently that she hold
the receiver with her left hand, and her automatic response was that she
can’t hear out of her left ear. But Elias can, and does in this session.
Elias arrives at 1:28 PM. (Arrival time is 18 seconds)
ELIAS: Good morning!
LETTY: Good morning, Elias!
ELIAS: We meet again!
LETTY: How are you today? Busy, I hear!
ELIAS: As always!
LETTY: I told Mary that I was going to thank you as kind of like
a prelude to my session, because I want to document how well I’ve done
from my last session; how after almost more than two years of talking about
my asthma, for the first time I paid attention to you, and I’ve seen a
big shift because I’ve taken responsibility for that creation. I’ve
actually recognized that and caught myself no longer calling it an asthma
attack but an asthma episode, where I have all the control, and I’ve been
doing much better. I recognize I still have it because I still need
to pay attention to certain things in my life, but it’s been very pleasant
and relaxing not having so many intense episodes.
ELIAS: Very good!
LETTY: Thank you!
ELIAS: Thank yourself!
LETTY: I did that too! But yes, finally the light turned
on!
ELIAS: Ha ha ha! I express to you, you may view through
your own validation of yourself how you hold the ability to be altering
your own creations quite effortlessly. (Chuckling) I shall be acknowledging
of you, Castille, in this creation!
LETTY: Thank you. Well, I’ll get into my questions, and
the first one is my latest creation, and it is a numbness in my hands and
my forearms at night. Sometimes I think maybe I’m sleeping on top
of them, but I really am not. They’re right on top of my body, and
it doesn’t happen regularly. It’s kind of like at different intervals,
and I’m not sure what this is trying to tell me.
ELIAS: I shall express to you that this is a creation in conjunction
with this wave in consciousness which is addressing to the belief system
of sexuality, as you know.
In this, what you are creating is a physical symptom that is an expression
of the mass belief system which moves in correlation to your physical cycle,
so to speak, of female alterations in physical expression. Individuals
designate this time framework and this action as what you term to be menopause,
and they designate a certain time framework of your physical focus that
you shall be experiencing this cycle, so to speak, and in this, there are
many, many, many expressions of symptoms that may be occurring in conjunction
with mass belief systems.
Now; certain expressions of physical muscle responsiveness is also what
may be termed a symptom of this particular action or cycle.
In this, you may experience tensions or numbness, so to speak, certain
cramping, in a manner of speaking, of physical muscles of extremities —
hands, arms, feet, legs. These elements that you view as not your
actual torso may experience certain tensions which create responsivenesses.
Now; in this, be aware that these are not necessarily all natural functions
in connection with the natural physical body and chemical alterations which
occur within the female expression. Many of these experiences are
expressions of mass belief systems.
Although you may not objectively hold an awareness of certain mass belief
systems in conjunction with this particular cycle, it matters not, for
the mass belief system holds tremendous energy, and as this wave in consciousness
is occurring and addressing to these elements of the belief system, it
lends energy to your individual expression, and you may be experiencing
different elements within your focus that you might not necessarily experience
within another time framework.
In this, your physical extremities are numbing themselves in responsiveness
to this mass belief system. They are not necessarily assuming a position
of tension, but are responding in energy to be creating a type of blockage
of physical sensation in one area and creating a different type of physical
sensation, that which you term to be numbness, which also creates a stiffness.
Now; you create this type of imagery also for the reason that you may
be offering to yourself a physical example of different areas within yourself
in which you create a similar responsiveness.
What I am expressing is that at times, just as the energy which is incorporated
is responsive to another energy at times, you in your expression are responsive
to other individuals in the manner of altering your emotional expression,
in disengaging your emotional responsiveness; in other terms, numbing your
emotions to certain situations as you incorporate other individuals.
You also create an alteration in your expression in like manner to this
numbness in your extremities, in turning your attention from the emotional
expression into a distraction in which you may un-involve yourself.
Are you understanding?
LETTY: Yes, very much so.
ELIAS: Therefore, you create this physical expression with the
lending of energy of this wave in consciousness to be offering yourself
an example of this type of movement and this type of behavior that you
create in other areas of your focus.
LETTY: Okay, thank you so much. Yes, I can see that relating
to other parts of ... not just the physical female part. Thank you.
ELIAS: You are welcome.
LETTY: Elias, I was told via messenger that my color
is ochre red. Could you tell me a little bit more about what this
color ochre red signifies for me?
ELIAS: This is a vibrational quality. Therefore, what I
am expressing in this is that you resonate in your vibrational quality
to the vibrational quality of specific colors.
Be remembering that as I have expressed previously, color is a truth.
Therefore, color is incorporated into every area of consciousness, every
dimension. Every expression of consciousness, the vibrational quality
of color may be incorporated into. It is not merely relative to one
particular dimension within consciousness or one area of consciousness.
Therefore, in this, your essence and this particular focus of essence resonates
with this particular vibrational quality.
Now; this in some manners may be difficult to offer an explanation [of]
within your translation of physical language, for this does not necessarily
translate entirely into physical areas that you may objectively identify.
I may express to you that the underlying constant, so to speak, of energy
which is projected to your energy field within your physical focus is this
color.
Now; do not misunderstand. If you are viewing an individual’s
energy field, it may appear to be many colors. Or, it may appear
to be one color generally, with elements of other colors dispersed throughout
it. Or, it may be created with the configuration of a solidness of
one color which appears to be surrounding the physical body form, and a
ring of color which surrounds that color. There are many different
configurations of color that may be incorporated into the expression of
an energy field, NONE of which may necessarily be this particular color
that I am expressing to you that you resonate with.
Therefore, I may express to an individual that their color that they
resonate with may be a specific hue of blue, and you may allow yourself
the opportunity to visually view their energy field and you may not necessarily
physically view blue. You may view yellow or you may view pink.
The reason that you view these colors is that they are the colors that
the individual is projecting in conjunction with their energy centers.
This is also quite influenced by what the particular individual is creating
and experiencing in that moment.
Therefore, the colors that are translated in an individual’s energy
field may be quite changeable from moment to moment, but the underlying
color which is constant is the color that I have offered to you as the
vibrational quality.
This particular vibrational quality is expressed in a particular color
which is holding a resonating quality with your energy signature.
Therefore, this particular color will be in your energy field and it will
be constant in its expression, regardless that you may physically view
this as you are looking to an individual’s energy field.
Now; I shall also express to you that you may allow yourself to view
any individual’s resonating color and your own resonating color if you
are allowing yourself to be looking past or through the colors that are
expressed from your energy centers.
If you look beyond or through, as I have stated, these colors which
create your energy field, in a manner of speaking, you shall allow yourself
to view this constant vibrational quality, which translates in your physical
dimension as that particular color that you resonate with. Are you
understanding?
LETTY: Yes. It makes a little more sense, especially because
we’re always going to different issues and stuff, and that’s where I got
confused.
ELIAS: Quite. This is not necessarily translated in conjunction
with your physical expressions. This is similar to an energy tone.
It is a vibrational quality that you resonate with and therefore creates
an underlying constant within your energy field, but is not necessarily
influenced by your experiences or your choices or your actions within physical
focus. It remains a constant.
The colors which are expressed within the overall, so to speak, of your
energy field are projections emanating from your energy centers and therefore
creating this energy field, in a manner of speaking, which surrounds your
physical body, and that is very influenced by your creations, by your experiences,
by your emotional expressions, by your thought processes.
All that you create within your expression is influencing of the color
configuration of your energy field within each moment.
LETTY: Well, with that, can I ask you, what color is Leezar?
ELIAS: One moment. (20-second pause) This resonating color
would be a hue that you identify within your physical terms as an ash gray.
(12-second pause)
LETTY: Okay. I want to ask you about Leezar’s children,
Janeau and Califa. What is Janeau’s orientation? (Pause)
ELIAS: Intermediate.
LETTY: That’s what I thought. And Califa? (Pause)
ELIAS: Common.
LETTY: Oh, I guessed correctly! I
have a question about Janeau. She has a fear of being away from the
family. Is this part of her orientation and her perception of life?
It’s almost like a phobia.
ELIAS: This is an influence of experiences and belief systems
in conjunction with those experiences that she has acquired within this
focus. This is not necessarily an expression of orientation, but
this also creates a conflict.
In one area, she experiences this tremendous draw to be interactive
with and physically within proximity of other individuals, for this provides
a sense, so to speak, of safety. These are quite within physical
terms. But this also creates much frustration and impatience and
conflict, for there is a struggling which occurs, for within her natural
expression of orientation, she leans in the direction of individual expression
and not necessarily incorporating the interaction of other individuals
continuously.
In this, the conflict is also created in like manner to many other individuals
holding this particular orientation, in [that] there is an expression of
a lack of trust and acceptance of self in the individuality. There
is a distrust in the individual’s ability to be creating independently,
in physical terms, of other individuals.
Within the natural expression, there is a pull in a very different direction.
In the natural movement, there is the leaning to the direction of a tremendous
expression of individual creation and inward interaction, [and] not necessarily
as great of an interaction outwardly.
But as I have stated, as influenced by mass expressions and belief systems,
as you are aware, the mass moves in the expression of the common, and in
this, the belief is to be interactive, to an extent, and to be creating
outwardly. This moves contrary to the expression of individuals of
this particular orientation, but they move themselves into compliance with
the mass expression.
There are also other elements which are involved in this situation,
for the individual employs fearfulness in this lack of trust and acceptance
of self. There is a tremendous expression of duplicity which is being
created within this particular individual. There is also tremendous
expression of self judgment.
In this, there is created a great expression of conflict also, for the
natural expression of self struggles in leaning in the direction of acceptance
of self and turning its attention inwardly, but the belief systems are
quite strongly held and the judgment upon self is very reinforcing of the
lack of acceptance, and therefore, there is also the creation of experiences
which reinforce the belief system and reinforce the duplicity.
Therefore, I express to you that the individual has created a very large
expression in the area of fear and has lent great energy to this creation
and continues to do so, and in this creates much confusion and conflict
within her focus.
LETTY: That really explains it. Thank you very much, Elias.
ELIAS: You are quite welcome.
LETTY: I have a new nephew, and I met him a couple of weeks ago
and felt a great connection to him. I was wondering, was he my son
in my Egyptian focus that we’ve spoken of before? (Pause)
ELIAS: An acquired son.
LETTY: Oh, an acquired son. Like somebody I adopted?
ELIAS: In a manner of speaking, yes.
LETTY: Okay, that makes sense. I have
three dreams I want to ask you about, and more than validation, I need
to make sure that I’m interpreting them right — my messages, my imagery.
One of them, I believe, was an out-of-body experience in my dream state.
It was black and white, and I could see a thin young man with a horse or
a mule, and this creature seemed to be dying, and the man was honoring
this creature. It was kind of interesting because it moved to where
I believe there was — I don’t know where I got this — a prostitute being
interviewed on television about this man, and when I told Cindel the story,
she picked up the word “Daluth.” (Pause)
ELIAS: And you are wishing for interpretation or validation?
LETTY: Yes, ‘cause I don’t really feel a connection that it was
me, mainly because I felt I was seeing it from afar. (Pause)
ELIAS: I express to you, what you have offered yourself in this
experience is the viewing of another aspect of another focus, but not your
focus.
LETTY: Oh, okay.
ELIAS: What you have offered yourself the viewing of is that of
an aspect of another focus of your nephew.
LETTY: Oh, the one I just asked about?
ELIAS: No. (Pause)
LETTY: Oh, how interesting.
ELIAS: Another nephew.
LETTY: Okay.
ELIAS: In this, you are not viewing an interaction of the primary
aspect of the focus. You are viewing another aspect of that focus
within a particular moment, what you may term to be a “cross point,” so
to speak.
You all create certain probabilities and certain events within your
focuses that at times are creating of certain cross points, and in these,
you do not necessarily create a probable self within a probable reality,
but within certain moments, you create an action in which more than one
aspect of self may occupy the primary position simultaneously. Therefore,
there are several actions which are occurring within one moment.
Now; let me express to you the reason why you have created this imagery,
for you have created an abstract and complex type of imagery to be offering
you a very specific message.
In this, you have been recently moving into a position of viewing different
movements within your focus — interactions with other individuals and allowing
yourself to be evaluating these interactions and your participations in
them.
In this, you have also offered yourself many attempts to be accepting
of other individuals’ perceptions within the moment, regardless that they
may agree or disagree with your perception.
I hold an awareness that you have assimilated and assessed several discussions
that you and I have engaged in this area. In this, you have been
allowing yourself to be noticing and to be incorporating certain elements
of this type of action within your focus, but there is also an element
of difficulty that continues in this area. Are you following thus
far?
LETTY: Yes, I am.
ELIAS: Very well.
Therefore, this idea, in a manner of speaking — that individuals hold
different perceptions and that these perceptions create their reality and
that it is real and that it may be very different as expressed by many
different individuals — becomes a very abstract concept and is difficult
for each of you to grasp within your understanding in physical terms.
Conceptually, you hold an understanding, but within your objective reality
and the practice of your objective reality, in your creating and in your
interaction with other individuals, it becomes hazy, so to speak, and it
does not appear quite as clearly to you as it may within your thought process
as you are viewing the idea conceptually.
What I am expressing to you is that you may find much greater ease in
THINKING about this subject matter than in the actual implementation of
this subject matter.
Therefore, you have offered yourself the opportunity to view an action
that is created within physical focus quite commonly.
This is ONE explanation, other than the incorporation of differences
within belief systems. This is one explanation that you may offer
to yourself objectively as to HOW — not necessarily why, but how — another
individual creates a different perception in certain situations.
Now; you engage situations with other individuals, and you all appear
objectively to be participating in the same action together, and you appear
objectively to be viewing and perceiving the same scenario. But as
you exchange with each other, you find that your perceptions of the same
scenario may be very different, and this confuses you.
In this, I express to you, each of you, at many different points, create[s]
an action within your focus in which, as I have stated, more than one aspect
of self moves into the primary aspect position simultaneously, and as this
occurs, you allow your attention to drift. As you allow your attention
to drift, what you are creating is quite similar to the spin of the roulette
wheel. You allow the ball to roll, knowing that all of the aspects
that are participating objectively in the primary position are all experiencing
the same scenario, but they are experiencing it from different angles.
Therefore, you allow the ball to roll around the wheel and you allow
it to naturally fall into one slot, and it matters not which slot you allow
it to roll into. The scenario or the circumstance is experienced
by all of the aspects, and you hold an awareness of this.
Therefore, all of the aspects of you are participating in the same situation
in conjunction with another individual and shall hold the ability to participate
in interaction concerning that event with another individual. You
shall all hold memory of the occurrence, but each aspect is viewing from
a different angle, so each aspect shall have a slightly different perception
and memory of the action that has occurred.
Now; this be the reason that you offer yourself the imagery of not viewing
the focus in the terms of the primary aspect of the focus but another aspect
of the focus, that you may view this type of action of more than one aspect
occupying the primary position within the same time framework.
You also choose not to be imaging this within yourself or one of your
focuses but within another individual’s focus for the reason that within
yourself and within your belief systems, you view that you hold more of
an ease viewing experiences within other individuals, in evaluating those
experiences and offering yourself information. You view within yourself
that it may be easier and clearer to you to be viewing another individual’s
experience, and that your individual experience may appear at times to
be more clouded and difficult to access. Therefore, you choose to
be imaging with another individual’s focus.
Now; I shall also express to you that this is not a common action that
individuals choose within physical focus. For the most part, general
speaking, you magnate to your own focuses of essence.
You do not necessarily move in the direction of accessing other individuals’
focuses, generally speaking, although at times you may choose to move in
this direction, for you hold a knowing of self and which directions your
belief systems move in and what shall be the most beneficial to you within
the moment.
In this, as you offer yourself this information, you also may allow
yourself to objectively view in the moment that you engage other individuals
and you experience within yourself great confusion and shaking of head
and expressing to yourself within yourself, “How has this individual created
this perception from this experience? I hold no understanding of
how this individual may be creating this type of perception and viewing
what they are viewing. They must be occupying a parallel universe,
for they certainly are not occupying this universe! For we have viewed
this situation and this creation in this manner, and this individual has
viewed the same scenario in an entirely different manner, one in which
I do not hold understanding at all!”
LETTY: So true!
ELIAS: This many times is an expression of this type of action
of several different aspects viewing the same scenario simultaneously from
different angles, and the individual choosing one of those angles to be
the primary perception, and it may be quite different. This is not
to say it is not reality, for it is! They have merely viewed a different
angle than you have viewed, but it is quite real.
I have been expressing this recently to many individuals also, for this
also is an element, as I have expressed previously, of this particular
wave in consciousness, which is occurring now, which tremendously addresses
to perception and how you perceive.
This be the reason that I have offered information in the direction
of orientation, for this is an ingredient of your perception, and this
subject matter of perception is a very large element in this belief system
— all of the different elements that influence your perception — and also
the subject matter of absolutes, for you view many different elements within
your physical dimension to be absolutes in your perception, and they are
not, for each individual’s perception is different and unique and highly
individualized, and I may not express this to you often enough!
This is an area that creates tremendous conflict and confusion with
many individuals, for you do not allow for the differences in perceptions.
You hold an expectation of absolutes and you hold the expectation that
if you are perceiving ANY THING in a particular manner, that all other
individuals shall perceive it the same, and this is not the case.
Therefore, this is what you have offered to yourself in this particular
imagery.
LETTY: Well, glancing at my next question about the dream, it’s
the same thing, ‘cause it had to do with glasses and seeing and wearing
glasses on top of glasses and putting on other glasses. I had this
dream of these huge thick glasses that I kept showing off to people.
ELIAS: And you are correct.
LETTY: And I wanted them to see how I saw, and that’s exactly
the same thing. Well, that response answered my next two dreams,
Elias!
ELIAS: Ha ha ha ha!
LETTY: They were all very close in time too, and I think because
I didn’t quite pick up on the one, I had trouble with the other ones.
ELIAS: I shall express to you that this also is quite common,
that you shall image to yourself the same subject matter in many different
manners until you are objectively understanding.
LETTY: Yes, and I do that a lot to myself! (They both laugh)
Okay. Well, actually that was it, except there was one thing I just
thought of, and this is also just a validation.
I’ve created these scabs in my nose ever since my sinus surgery.
I know I create them, and then after a few weeks, they’re released.
What I actually figured out just this morning as I was writing the question
was that this is imagery to myself, that as I create certain things, like
my asthma or my numbness or my aches and pains, I also have the opportunity
to release that, just as this is being created and being released on a
... not on a regular basis, but whenever.
ELIAS: Correct.
LETTY: Okay, good. Because I had been wondering about these
scabs so long, and it finally hit me this morning as I was thinking about
asking you.
ELIAS: Ha ha ha ha! You are becoming quite proficient in
this area! (Chuckling)
LETTY: Thank you, Elias. Yeah, your validation always ...
well, I’m still working on my self trust. That definitely helps.
ELIAS: And you ARE accomplishing, for I shall express to you presently,
within this now you have created great movement and great accomplishments
in comparison to our first meeting. Ha ha ha ha!
LETTY: Yes, and I appreciate all of your assistance!
ELIAS: I am quite acknowledging of you, Castille, and encouraging
you in your continuation of your movement. I also shall interject
one more acknowledgment, in your recent engagements with Leezar and your
trust of self and your allowance of the acceptance of him and not assuming
personal responsibility.
LETTY: Thank you!
ELIAS: You are quite welcome, for I hold an awareness that at
times you hold great difficulty in this area.
LETTY: Yes, I do.
ELIAS: Therefore, receive my acknowledgment in your accomplishment.
To you this day, I offer my energy and my affection.
LETTY: And I accept it with loving arms.
ELIAS: Very well, and I anticipate our next meeting. To
you, a very loving au revoir.
LETTY: Au revoir, Elias.
Elias departs at 2:29 PM.
Vic’s note: I don’t know about you guys, but I was lost during
the discussion about simultaneous primary aspects. Maybe I need to
go play with a roulette wheel....
FOOTNOTES:
(1) I have changed one word in the following sentence:
“This is not necessarily an expression of orientation, but this also creates
a conflict.” The word “but” was originally stated as the word “for.”
© 1999 Vicki Pendley/Mary Ennis, All Rights Reserved
Copyright 1999 Mary Ennis, All Rights Reserved.