Dream Interpretations
Topics:
“Dream Interpretations”
“Ball Lightning Versus Saint Elmo's Fire”
Session 20070728 (2321)
“Dream Interpretations”
“Ball Lightning Versus Saint Elmo's Fire”
Saturday, July 28, 2007 (Private/Phone)
Participants: Mary (Michael) and Paul (Paneus)
ELIAS: Good morning!
PAUL: Good morning, Elias. How are you?
ELIAS: As always. And yourself?
PAUL: Well, I'm noticing my energy a little better than before, I think.
ELIAS: Ah. And what are you noticing?
PAUL: Well, it's probably more just the overall feeling, than trying to notice, necessarily, all the outwardness. It's more the inward sensation.
ELIAS: And what are you recognizing in that, in how your energy is being expressed? Or what are you identifying more clearly?
PAUL: Well, if it's how I'm feeling… If I'm feeling comfortable and relaxed then it's about bringing comfortable, relaxed sensations. And it's kind of like that magnetic bubble idea. So if I'm feeling that way, I'm more apt to bring other sensations that will be parallel to that.
ELIAS: Yes. Quite so.
PAUL: Well, good. (Laughs)
Tell me; a while back you said that my future focus Rita (inaudible) was trying to contact me via a message in an email. And I've been scanning my emails looking for that message, but I haven't seen any. Have any come through that I did not pick up?
ELIAS: One moment. (Pause) Not in actuality. There continues to be attempts, but there appears to be some type of obstruction in (pause) the configuration of energy to allow it to remain. In your terms the problem is not sending the energy, it is a matter of configuring it in a manner that it will STAY in your time framework.
PAUL: I guess one of the big things that I would like to ask: will she continue her effort until she's successful?
ELIAS: Presently, that is the direction. Although I will express to you that she is entertaining other ideas, or toying with other ideas. But presently, she continues to move in this direction. In a manner of speaking, it has become a matter of determination.
PAUL: These others ideas, do they involve me? Or a different direction entirely?
ELIAS: Involving you.
PAUL: I'm sorry, Elias, I didn't hear you.
ELIAS: Yes, they involve you.
PAUL: Oh. Is there anything I could do on my end to improve or facilitate this communication?
ELIAS: Yes. Perhaps to not be trying to decipher so hard. Perhaps in you generating more of a relaxed energy and more of an allowance, that may allow for the configuration to remain. What it is doing, presently, is similar to your particles that disappear. The energy is being sent, but it is not staying in your time framework. It is blinking into your time framework, but it is not remaining.
PAUL: Okay, so that may mean I just allow it, and not worry about scanning all the emails, and I'll find the email when the time is right.
ELIAS: Perhaps so. Or rather than scanning all of them, merely allow yourself to be open to any one that captures your attention.
PAUL: Got it.
Let me ask you a question about this dream a while back. I had seen a pile of blue blankets that had an alive state to them. In other words, they weren't an inanimate pile of blue blankets. They were in my basement. And then how I would stand on top the stairs, contesting it with my dog. And then how that pile of blue blankets changed to what appear to be a human form. Was that an other dimensional focus of mine? Or was that your energy?
ELIAS: That was my energy.
PAUL: Well, it changed to what appeared to be—but I don't remember ever doing this with you before—an older man with white hair. Was that just my configuring your energy in a certain way?
ELIAS: Yes.
PAUL: Was it also true that… I have a friend, Lauren, who seems to be open to communications with you. That was part of the imagery in the dream.
ELIAS: Yes.
PAUL: Because she doesn't seem to be open to the concepts now, or at least not that I'm aware of. Is that saying that she is open to these concepts now?
ELIAS: Somewhat, but it is also a matter of how it is presented.
PAUL: Mmm. What was that language I was initially saying—because it didn't seem like an English language—when I was at the top of the stairs and saying stuff to the pile of blue blankets? It seemed like I was speaking a different language.
ELIAS: That would be, what you would term to be, an invented language that was a type of verbalization of energy; configuring energy in a manner in which it could be presented in a verbal form; a different type of manipulation of energy.
PAUL: Why did choose for Saint Elias stock to fall back to a lower level? Then selling what I had. Why did I choose for it to keep progressing on? Was I just being impatient?
ELIAS: What is your assessment of what you were doing?
PAUL: Actually, I think what I'm doing, by selling stock, is being able to let it go where it will—in other words, go much lower—and then buy it back and watch it rise again. So I think that's what the idea is, of me.
ELIAS: I would agree. And what else are you presenting to yourself?
PAUL: Flexibility, I guess. (laughs)
ELIAS: Partially. You are also experimenting with your own energy, and how to manipulate it, without focusing upon what outside sources are doing, and being more aware of yourself. And in that, experimenting with how you can be generating a cooperative energy, rather than a pushing energy.
PAUL: Hmm.
Let's talk about ball lightning and Saint Elmo's fire. Is ball lightning an other-dimensional focus or more of like a form of an animal, or some type of.
ELIAS: Clarify.
PAUL: Well, ball lightning is an other-dimensional surge of energy. Is it an energy that has intelligence to the point where it's another focus of essence, or is it like a type of animal? Because I know it's at a cross-dimensional boundary.
ELIAS: (Pause) Neither. It is an energy surge, which is not necessarily produced by an individual or a type of creature. It would be similar to what you create atmospherically and environmentally within your dimension. You collectively create energy surges that create affectingnesses in your physical reality, such as different types of atmospheric changes, or weather patterns, or actions that occur within your Earth.
PAUL: But this is from another dimension. So this is a collective—
ELIAS: Energy surge.
PAUL: That's being originated within another dimension, outside of ours.
ELIAS: Yes. Which connects with the energy in your reality, which creates an anomaly, or a disturbance.
PAUL: Apparently it's always tied to being in or around storms. Why does it need lightning storms, or thunderstorms to originate?
ELIAS: That is quite understandable, for it is an energy surge which would attract to some type of energy surge that is occurring within YOUR reality. It is matching.
PAUL: So that matching allows it to cross the dimensional bridge, if you will.
ELIAS: In a manner of speaking, yes. It connects and as the two energies connect, they create the disturbance.
PAUL: What is Saint Elmo's fire, then? That appears to be a little different phenomenon.
ELIAS: In what capacity?
PAUL: Well, Saint Elmo's fire occurs during storms and science says it's like a form of a coronal or electrical discharge that builds up on pointed objects, like wing tips of an airplane, or a mast of a ship. And it doesn't appear to be as free-ranging as ball lightning is. Are they similar? Are these the same phenomena in different form? Or…
ELIAS: No. This would be more associated with your own reality. Concentrations of energy that are attracting to specific points.
PAUL: So it's not other-dimensional.
ELIAS: No. (Pause)
PAUL: I'm sorry, Elias. I didn't hear. Was that a yes?
ELIAS: No.
PAUL: It's not other-dimensional.
ELIAS: No, it is not.
PAUL: Okay.
I've been getting imagery of having my computer keyboard locking up many times. Is that imagery of my energy being inhibited by my forcing my energy? Or pretty much projecting my energy too much?
ELIAS: Yes.
PAUL: Okay.
ELIAS: That would be an indicator for you to stop and relax and distract yourself in some other activity, temporarily.
PAUL: Was that your energy that shut my computer off the other day?
ELIAS: In conjunction with your own.
PAUL: And was the meaning of that just a playfulness, or was it to pay attention to what I'm projecting in energy.
ELIAS: Somewhat of both. A reminder to pay attention and a playful reminder to relax and not be incorporating so much seriousness. (Both chuckle)
PAUL: Okay. Is the imagery of this… This one dream that I had about this group of scientists and me, and we're drinking this potion and holding this cup of water. (Inaudible) shift our awareness to this four-day future day at (inaudible). Was that just imagery of how myself and others are changing our views of awareness? Or was there more to it than that?
ELIAS: It is, partially imagery of that. And it is also, partially, imagery of how, when you change your perception you also change your reality. And in that, it was imagery of how you can change your perception in association with different time frameworks, not merely now, that will also change what is occurring in different time frameworks, such as your own past.
PAUL: Hmm.
I was listening to the Vienna session, which by the way, I think you did an excellent job in. (Elias laughs) I was talking to some friends, and I was trying to figure out my inner age, that you referenced everyone had. Is my inner age 23 or is it 32?
ELIAS: The latter.
PAUL: And the best way to stay that age is to not worry about aspects associated with the aging process.
ELIAS: Correct.
PAUL: That's pretty simple. (Laughs)
ELIAS: Quite so, in actuality. This is what you will notice, in some individuals that may incorporate older age, but appear to be quite energetic, and quite enthusiastic, and very busy, and continue to incorporate significant activity. And in that, when you encounter individuals, of what you perceive to be older age, that display this type of actions, you may even notice that your perception of them will be to physically see them as younger than they may state that they are. For example, you may encounter an individual incorporating 85 or 89 of your years, but that individual may be quite energetic and quite active and very alert, and in their expression of themself—for they do not view themself as that age—you also will not view them at that age. You will perceive them as perhaps being 15 years their junior.
PAUL: But that may be more than their inner age.
ELIAS: Yes. But you will continue to be quite impressed and somewhat astounded with their movement. They will appear to you to be older but a nondescript age.
PAUL: Okay. So I got it. I understand.
I had a dream a while back about this, what I think is a focus of mine who is called Sath, who seemed to be a witch, or something like that. And I kind of get an impression that this secret witch from like the 1600s. Was that a focus of mine, and was that their name?
ELIAS: Yes.
PAUL: Were they in Europe, or the United States?
ELIAS: The British Isles.
PAUL: Was it a male or female? I can't… I'm not positive. (Chuckles)
ELIAS: Female.
PAUL: Ah, thank you. I always get a kick out of when I get a focus name clear like that. (Elias laughs)
Am I on a path, today, of creating acceptance for a documentary that I've done on ball lightning and Saint Elmo's fire? (pause)
ELIAS: Are you engaging that path? Yes. I would suggest that engaging that type of avenue may be more successful if you are incorporating imaginative elements.
PAUL: Being creative ideas in the proposal?
ELIAS: And—
PAUL: Or imagining its success?
ELIAS: And it's presentment.
PAUL: By being creative in how it's presented.
ELIAS: Yes.
PAUL: Was that a yes?
ELIAS: Yes.
PAUL: So as it stands right now, it still may be successful but it would be an improved chance if I'm thinking of some creative ways to present it.
ELIAS: Yes. I would agree.
PAUL: (Laughs) I gotta put my thinking cap on because nothing's really hit me yet.
ELIAS: (Laughs) Allow yourself to practice with imagination. In a manner of speaking, it may be similar to what you do when you are tapping into your impressions in relation to other-dimensional focuses. When you engage that action, you are presenting to yourself unknowns. Yes, of course, you are translating what you are presenting to yourself in a manner that you can understand, but this action of practicing with imagining can be very similar. Allowing yourself to genuinely express your creativity and in that, allowing your imaginative flow. And when you do that you generate an energy that encourages you to be more open in relation to other subjects, such as your project.
PAUL: Okay. What do you think about: am I on the path to create acceptance of my screenplay this year, also?
ELIAS: Are you engaging that direction? Yes. Will I express to you that you will definitely accomplish that, or not? No, for, as always, that is your choice. But I will confirm that presently, that is the direction that you are engaging.
PAUL: And I think if what I do right now is just relax and allow it to happen for my screenplay. Because I've already put the intention and communication out there.
ELIAS: Yes.
PAUL: Good.
What do you think of my choice to go back to school at Northern Illinois?
ELIAS: That would be a choice. (Paul laughs) What is your assessment?
PAUL: It is a good choice, from the standpoint of moving into the area and going back to school. It is not… I recognize as a stopping… a temporary maneuver—that eventually I will be migrating out to the coast. But I'm not going to force myself so hard to get out there when I'm not comfortable quite yet.
ELIAS: Ah, that is a key element. And I will express an acknowledgement of you in this direction.
PAUL: Let me ask you one final question because I see our time is up. A friend of mine, Lauren, who was over with some guests last night, appeared to be enamored with another friend of mine, who we both know. And I was thinking to myself, boy, I need to be as witty as that other individual, or doing what they're doing. Or taking it one step more, because her attention is so focused on that other individual. And then afterwards I realized—this is what I'm asking for confirmation—that she would be attracted to me if I just act my normal way and not try to be as much like the other individual.
ELIAS: I would definitely agree.
PAUL: Don't worry about mimicking this other individual's actions. She'll be attracted to me for being myself.
ELIAS: Yes.
PAUL: (Laughs) I kind of figured that one. I guess I like asking questions like that. Well, Elias, do you have any final pearls of wisdom you want to put in my purse?
ELIAS: (Laughs) I will express to you an encouragement: play with your own magic. (Chuckles)
PAUL: When you say my own, you mean like, noticing how I create reality, or parlor tricks? Or both?
ELIAS: Both. Play with your own magic. Allow yourself to experiment and notice and play with your own magic. For you do possess it. (Laughs)
PAUL: I'll look for some encouraging validations from you along the way.
ELIAS: Very well—
PAUL: Thanks, Elias, you have a fantastic… I don't want to say time. (Elias laughs) But you know what I'm saying.
ELIAS: I am understanding, my dear friend. (Laughs)
PAUL: It's always a pleasure.
ELIAS: To you in great appreciation and tremendous lovingness, as always. Au revoir.
PAUL: Au revoir, Elias, goodbye.
(Elias departs after 34 minutes)
Copyright 2007 Mary Ennis, All Rights Reserved.