Thursday, October 23, 1997 © 1997 (Private)
Participants: Mary (Michael) and Nicky (Candace).
Elias arrives at 12:15 PM. (Time was twelve seconds)

ELIAS: Good afternoon.

NICKY: Hi! How are you this day?

ELIAS: As always! (Grinning)

NICKY: As always! I love it! I'm not really sure why I'm here. I was overwhelmed with the fact to make an appointment, so I did. And at the last minute, as usual, I put together some questions. But I just have this overwhelming feeling that what you have to say today will be ... dramatic!

ELIAS: Ah! Dramatic! (Chuckling)

NICKY: As always! I mean, you always are, but more so maybe today! Could you tell me, am I right? I have had this overwhelming awareness of your presence.

ELIAS: Correct.

NICKY: This is correct. Okay. What is the reasoning behind it? I mean, we look at things as a reasoning-thing. Is this something that will always be more constant and growing as time goes on?

ELIAS: Correct.

NICKY: Okay, that's what I thought.

ELIAS: It is your own allowance of yourself to be opening to the energy which is available to be connecting with, and you are opening more within your awareness to the action of this shift and participating more in this action.

NICKY: There was that much blockage that it took this long to get to this point? Oh, no! (Laughing)

ELIAS: This is not in actuality a long time framework. You are moving quite quickly!

NICKY: We all are, aren't we? It is moving quickly, isn't it?

ELIAS: The action is accelerating tremendously. NICKY: Yeah. Will that be increasing even more so?

ELIAS: Absolutely.

NICKY: That's so overwhelming!

ELIAS: The ball is rolling, so to speak! (Grinning)

NICKY: I guess so! It's really something else! I'm going to get right into essence names on a few people, and I'm going to put in front of you what I think they are, what I think my knowing is, but I would also like your corrections on whatever is necessary. On Rico, I have no idea was his essence name would be, so what is his essence name? ELIAS: Marr.

NICKY: Marr?

ELIAS: M-A-R-R.

NICKY: Oh, interesting! Sumari, aligned with Tumold?

ELIAS: (Accessing) Sumafi.

NICKY: Sumafi? Aligned with Sumafi? Or Sumafi aligned with Tumold?

ELIAS: Correct.

NICKY: Oh, interesting! Okay, Sumafi with Tumold. Okay, Mike's essence name?

ELIAS: And your impression?

NICKY: I want to say Mike! That's what came to me first. Can that be? And so I left that one a question mark, but I have him aligned Sumari ... excuse me. Family of Sumari, aligned with Sumafi.

ELIAS: Reverse.

NICKY: Reverse? Interesting!

ELIAS: Essence name Mikah.

NICKY: Mikah! So I was close!

ELIAS: M-I-K-A-H.

NICKY: Oh, this is too heavy. I could cry! (Mike is Nicky's son, so I would imagine that's why this was emotionally affecting) Okay. I do not know my alignment. I know I'm Sumari. If on this day, this is going on, that's where I'm at. That's who I'm aligned with at the time. I really don't have a sense of direction of direct alignment. (Sighs heavily)

ELIAS: Sumari, aligned Sumari.

NICKY: Oh, my gosh! Could you expound on that a little bit? Can you help me out with that?

ELIAS: This be why you hold the feeling of changeability, for within the intent of the Sumari, these individuals are quite creative and also quite changeable.

NICKY: Oh, very interesting! Okay, thank you. Gina; I don't know the essence name, but I have her Sumari with Borledim.

ELIAS: (Accessing) Sumafi.

NICKY: Sumafi with Borledim?

ELIAS: Correct.

NICKY: This is really so interesting! And her essence name?

ELIAS: (Accessing) B-A-H-L-A-H. Bahlah. (Pronounced Bayla)

NICKY: Bahlah. Oh, so interesting! Speaking of essence names, on the essence name itself, I've not done a lot of discovery work on the actual essence name of Candace itself. The only thing I ran into was something about some African queen. It was the title of African queens.

ELIAS: This be your connection with another focus of yourself. The essence name itself is merely a translation into a word of a tone of the entirety of your essence and all of its focuses. In connecting with your tone or the word that you recognize in your language as your essence name, you open yourself in the ability to be connecting with other aspects of your essence. It is a window physically to your essence and the entirety of your essence within tone. Therefore, in exploring your individual essence name and knowing that this is a tone merely translated into a word within your physical focus, you may offer yourself the opportunity to be connecting with and investigating other focuses of your essence; this being another "method," so to speak ...

NICKY: (Laughing) I know how you love that word!

ELIAS: ... of connecting with self and all of your aspects of yourself. NICKY: Okay. I don't know which transcript it was in, but you said something about meditating on the name or verbalizing the name.

ELIAS: Correct.

NICKY: Now, the impressions received while one is doing this is helpful in recognizing ...

ELIAS: Correct.

NICKY: ... other focuses?

ELIAS: Correct; for you shall answer yourself in speaking to yourself. In speaking to your essence, meditating or sounding your essence name, you also are communicating the tone to essence, and essence shall respond to you with offering you information and experiences.

NICKY: Oh, that is just so beautiful! It's reception then?

ELIAS: Absolutely.

NICKY: Okay. Alright, I have a question here. Rudy and Mikah ... is that how I pronounce this essence name? Mikah? (Elias nods) You said before, they had shared a relationship as brothers. Have they shared any other focuses together?

ELIAS: Yes, and you may be expressing to Rudy that he holds the ability to be investigating of this! (Grinning)

NICKY: Okay! We kind of knew you'd say that!

ELIAS: Absolutely!

NICKY: And what has been discovered between the two of them talking is that they did share a relationship -- whether it be as brothers, they weren't sure, but it looks like that might be the case -- in an abusive....

ELIAS: Conflicting; not necessarily what you may term presently as abusive, but holding much conflict.

NICKY: Between the two of them?

ELIAS: Correct.

NICKY: Really! How is that being misinterpreted then? They both have a sense of abuse in their life. One in the present focus, she was being abused, physically abused; and my son, not the physical abuse, but being mentally aware of physical abuse. ELIAS: This would be a translation in the allowance for a bleed-through of information. This is quite common. Many individuals connect initially with another focus, but they are misinterpreting some of the impressions that they are receiving, for it is translated within energy from one focus to another focus. Therefore, it is quite common initially to be misinterpreting the energy which is being received from the other focus, for you translate into thoughts and impressions that you recognize now within your present focus. Therefore, there is an element of slight distortion at times, but as you continue to investigate another focus, you also become clearer. You tune your picture more clearly, and in this you may view in actuality the reality of the other focus.

These individuals are not experiencing physical abuse by another individual. They experience conflict between the two, but also much closeness. Therefore, it may be misinterpreted, for recognition of the closeness seems contradictory to the conflict, and in this it is interpreted that the conflict or abusiveness must be stemming from another individual or outside of the relationship. But within interpretation as to the closeness, it interprets into this focus as abusiveness, physically or mentally, for in regard to their relationship and the conflict that is experienced, each individual interprets this in their manner; one interpreting this conflict to be physically hurtful. Although there is no physical abusiveness, the emotion is hurtful in a manner that feels physical. The other interprets mental, for there is an experience of great confusion.

NICKY: Oh. Could they have experienced this at the same time when they shared the focus as brothers, and this is the bleed-through?

ELIAS: Correct.

NICKY: Okay, because their relationship ... they're like two peas in a pod! They should be sister and brother, how they interact with each other! They're realizing it must be from the relationship before, but that was conflicting because of the abuse thing in it.

ELIAS: This be the interpretation. Each individual allows the bleed-through, and then interprets. Because of the contradiction, supposedly, it is interpreted into physical terms. Let me offer an example: Two brothers, very closely aligned. In this, they also experience time frameworks of great conflict with each other. During these time frameworks of great conflict, one interprets that the other is being quite hateful. Therefore, the one feels emotionally much distress, which he feels physically within his body. The other, viewing the same conflict but from another perspective, feels very confused and upset, and takes in mentally. In this, the energy being projected into this focus becomes confused or misinterpreted, for the one that is feeling physically in the other focus interprets now the same closeness, and does not understand this feeling physical. Therefore, an interpretation is arrived at that there is physical abuse occurring. The other interprets the same knowing of the relationship, but interprets an emotional or mental abusiveness occurring, for this be the action that they are experiencing in slightly different terms in the other focus. This may be examined, for in the recognition of acceptance within this focus, energy is projected to the other focus to be helpful in altering the affectingness of each other in the other focus.

NICKY: So they're helping each other?

ELIAS: Correct.

NICKY: Oh, how beautiful! I like that. I really like that! Okay, speaking of connections, what is my connection with Rudy? You said that we've shared several focuses. Outside of the one we're sharing now, which is counterparts and friends, what were our relationships before? Or the last one, if there is a last one. You know what I'm saying? The most ... you know what I'm saying! Just one of them!

ELIAS: (Chuckling) They are all simultaneous!

NICKY: Yes, I know! Sometimes there's a feeling of sisters, sometimes there's a feeling of sister and brother, mentor, a little bit of everything. Is that a correct assumption, that it's been a personal-type closeness? I don't know exactly what I'm trying to say.

ELIAS: I shall offer you one focus, and you may investigate the others yourselves. I shall offer you one focus within the time period of pyramids as cousins, both female and both quite active within the court of pharaohs, working in the area of mysticism as what you may term to be priestesses, sharing a very strong bond and friendship also beside your relation to each other as cousins, growing together in very similar age, holding only one year difference in your age group, being also kept within the court in much esteem within your abilities.

NICKY: Hmm! That was very informative! Thank you so much!

ELIAS: You are quite welcome, and you may be investigating more yourselves!

NICKY: Okay! Sounds good to me! Now talking about investigation, the connection with Rico. I cannot express to you, although I'm sure you really do know, the awareness. There is just something really dramatic. Something is just so different when I'm with this person Rico. I do not know. I have a lot of guesses. What is transpiring when we're sharing time together, whether it be with my son, with other people around, or whatever? It's not just when we're alone or anything. When we make connection, something is just so different. It's almost as though I'm looking at myself sometimes, and I'm viewing myself from another viewpoint.

ELIAS: And what be your educated guess? (Grinning)

NICKY: Well, one was lovers. One was maybe siblings. It goes expansive after that; friends, companions, that kind of a thing. But that's how tight it feels.

ELIAS: You are fragmented of the same essence.

NICKY: Fragmented of the same essence? Oh, you said that about my daughter and myself too!

ELIAS: Correct.

NICKY: Yeah! Okay, you said something about the same essence, but pieces of the same ... fragmented of. So there's the familiarity?

ELIAS: Absolutely.

NICKY: Fragmented of the same essence! Could you tell me anything more about that so I have a clearer understanding?

ELIAS: Look to our example of the tree; the tree being the essence, the branches and the leaves of the tree being the focuses and the aspects of the one essence, and the seeds that fall from the tree, springing new trees, as being fragments of the essence.

NICKY: You said we also shared a past focus and a future focus. Now, being the same timing and everything, what was the relationship then with each one of those?

ELIAS: The future focus is influencing within energy of this focus, allowing you an ease in your ability to be widening your awareness within the action of this shift and also lending energy to your engagement of your periphery in this focus. The past focus has been of a romantic nature.

NICKY: So that's where that sense, that awareness of knowing him comes from.

ELIAS: Correct. In actuality, your sense of knowingness stems from your knowing within essence that you are fragmented of the same essence.

NICKY: Okay, so that's what that knowing is. I was going to ask you that one too. That was a follow-up question. So that's what that knowing is?

ELIAS: Correct. Before fragmentation, you are the same essence; but within your desires, you have fragmented into your own essences.

NICKY: Okay, so we WERE fragments of the same essence?

ELIAS: Correct.

NICKY: And now we're not?

ELIAS: You continue to be fragments of the same essence, but you are your own essences now.

NICKY: Now.

ELIAS: Correct.

NICKY: Alright. And so the relationship will be lending energy to each other?

ELIAS: Correct. Be understanding that as I express to you that you were and you are, these are figurative terms; for simultaneously, you ARE. Therefore, although you are your own essence and hold your own tone, there is no time framework. Therefore, you are also simultaneously the same essence. There is no separation.

NICKY: Okay. I guess that explains more so on that same level of thought about the overwhelmingness I get, because it's inexpressible! I don't know how to express it, I really don't. I could almost burst at times! I could just like pop out of my skin and go poof! I just feel all lit up! That's the recognition, then?

ELIAS: Correct.

NICKY: Okay, alright. Yet at the same time, incorporating the shared focuses, which is all the same now, that's where that feeling of oneness comes in with him then, isn't it? Which I started to associate that I must have been married to him at one time, or I must have been a lover of his at one time, or I must have been something where it was such an uptight situation.

ELIAS: Correct.

NICKY: So that's why that's familiar.

ELIAS: Correct.

NICKY: Okay. And the intensity of the friendship is all within that; because of that rather than the relationship shared.

ELIAS: Correct. NICKY: How about his connection with Rudy and Mikah? (Pause)

ELIAS: There are focuses shared, not within this dimension.

NICKY: Oh, really! For both of them? For Rudy and Mike?

ELIAS: Correct.

NICKY: Oh, interesting! Not this dimension, though. I just thought of something else. Within this focus then, the relationship with him will be a continual thing, as of the probabilities right now? We will be exchanging energy, friends....

ELIAS: As per your present probabilities.

NICKY: Present ones. Okay. And then when you talk about ... like the connection you said with the two of them, not in this dimension ... when it's not the physical and we're talking other dimensions, are we talking the same kind of thing then as far as probabilities?

ELIAS: I am not expressing non-physical!

NICKY: Oh, physical in other dimensions. Gotcha! I just put that word with non-physical. I don't even know why I went there. Okay, so we're talking physical in another dimension, right?

ELIAS: Correct.

NICKY: Okay, now to connections. There's a new fellow that moved in the building. His name is Zev. He seems to be very predominant. I don't know why. I'm looking at counterpart, if not mine, of Rudy. Maybe Michael. I'm not really sure, but there's a familiarity there.

ELIAS: This would not be a counterpart situation. This would be your own recognition for an example to yourself of drawing to yourself individuals that you may be connecting with within the action of this shift. As you are opening more within your awareness and expanding your periphery within this focus, you shall move beyond mere recognitions of counterparts or connections to individuals within other focuses and recognize your own drawings to each other within the action of this shift, which be the point! In this, you shall be feeling connected to many individuals futurely that are not necessarily counterparts or holding connections in the areas that you previously have held thought processes about, but a recognition that within this particular focus, you are very connected to each other and drawing to each other within the action of this shift to be offering information and helpfulness to each other, and also to be connecting to each other within consciousness as links together, that you may lend energy to the acceleration and accomplishment of this shift. NICKY: Okay. Is that part of the reason that when I saw this man, I thought of Rudy? That's one of the first things that came across me, and that's what started me along the avenue that it might be a counterpart type thing. But when I saw Rudy, what I was then maybe seeing instead was the fact that she draws people? She sends them this way? This is like, "I know where to bring you, sis!"

ELIAS: Correct. Absolutely.

NICKY: So when I saw her, what I was seeing was an interpretation, so to speak, of the idea that he should be here.

ELIAS: Correct.

NICKY: Okay. Oh, how interesting!

ELIAS: We shall break, and you may continue with your questions.

NICKY: Thank you.

ELIAS: You are quite welcome.

BREAK 12:50 PM RESUME 1:06 PM (Time was three seconds)

ELIAS: Continuing.

NICKY: Okay. I'm going to go back to Rico again. He has symbols on his arms. They're not tattoos, but they're of the tattoo-sort. When I first saw them, I was really attracted to them. It was like, "Oh my goodness! What do these mean?" Well, he told me what they meant. It's a family heritage type thing or something like that. Is there anything beyond that, that they might be meaning?

ELIAS: Look to one.

NICKY: Look to what?

ELIAS: Look to one of these symbols, and connect this to the city.

NICKY: To the city? I'm not doing real good on the city concept. I'm really trying, I really am! I know the idea about it, but I have a hard time connecting what I see. Like yesterday, I was out and I saw rugs that had symbols on them -- dots, slashes, lines -- and it was like, "I know what this is." I know, but I don't know!

ELIAS: Think of the tiles.

NICKY: Specific ones or the tiles in general?

ELIAS: The tiles within the city.

NICKY: They would each be pieces to something, wouldn't they?

ELIAS: The tiles within the city are holders of information.

NICKY: Okay. Like parts to a puzzle type of thing?

ELIAS: In a manner of speaking. They are each placed within the construction of the library and museum, and they are instruments to access information. Each tile is connected with an essence family and may be accessed differently.

NICKY: My goodness. That's wide open territory for me. It's like, where do I start? How do I incorporate this?

ELIAS: Allow yourself the connection with your impressions, and as you view these symbols that you hold a knowing of within you, you may be allowing your impression of what this symbol may be connected to as a tile, with which family, and what its meaning may be.

NICKY: Okay, alright. That could be fun, huh?

ELIAS: It is a part of the game! (Grinning)

NICKY: Well, that's what I was experiencing yesterday when I saw all of these. There were maybe four or five different patterns. I thought to myself, "I don't have any pen and paper on me so I can copy these." Then I thought, "Okay, I can look at them and study them, but what am I going to get out of studying them?" Would first impressions be the thing to go with, not just studying them?

ELIAS: Correct. NICKY: Okay, that makes sense to me. That's interesting. They're really dramatic, the symbols on his arm, so I guess those are the ones I should start with. Okay, Mike has three sets of numbers that he's working with, and he wanted me to ask you for the present now probabilities. What set of numbers, one, two or three, should he be concentrating on more?

ELIAS: Two.

NICKY: Number two? Okay. You touched on it a little bit before, when you said something about the knowing part. That was one of my questions. When I am experiencing knowing something, what it is that I'm knowing? (Sighing) It goes back to that thing again, that I know something, but I don't know what it is that I'm knowing.

ELIAS: You are experiencing a remembrance. NICKY: Okay. What would be a good way to go about it? I'm having a real hard time saying to myself, "I know the impression will be there eventually." It's like I stop the flow of things sometimes, although with the awareness of you being so consistent in my person here, this essence of mine, it's been so much more revealing to me. But I have found that I am blocking something when I come to this thing of knowing, and it's like, what is it I know? What do I know? So then my head starts doing this, and then I remember what you told me. "Stop. Don't go this way. Don't go that way. Stay right here."

ELIAS: Correct.

NICKY: Okay, so what is it? Is that my blocking? Am I still blocking in that area?

ELIAS: Focus upon the knowing and challenge yourself in investigation of this. Isolate it.

NICKY: Isolate it. Isolate the incident, so to speak? The idea, the impression, right at the time?

ELIAS: Correct. In this also, you may be engaging our new exercise of creating an inner landscape that shall offer you information. You may be creating this inner landscape with an impression, with a thought, with an emotion, with a feeling. Isolate the individual knowing, thought, impression, emotion, feeling, and then create an inner landscape solely of this thought, feeling, emotion, impression, and you shall offer yourself clearer information within this activity. You may be creating this inner landscape fully awake.

NICKY: Is that what I've been experiencing? I was just telling Mary before we started the session. She was telling me about the inner landscape, impressions, and I said, "You know what? For the past week or so, that's what's been happening." I can really get some pictures! I can really get carried away! I can tell you what's in every nook and cranny sometimes, like colors and so forth and so on.

ELIAS: Quite. These inner landscapes are very detailed.

NICKY: Okay, and then....

ELIAS: You shall hold an awareness of all the aspects of them, and it shall be quite clear.

NICKY: Speaking of that, now that just brings up another question. These pictures that I've been viewing, they're sporadic sometimes. Sometimes it's an actual intention to go into it, with seeing what's there. I feel them to be very real. I feel them to be so predominant that I can just about touch it in the physical. That's how close it is. That's how real it is.

ELIAS: This being the explanation that I have offered within a previous session. This IS reality. You are stepping slightly sideways within consciousness and viewing another aspect of reality. You are beginning to allow yourself the ability to step slightly sideways within your objective waking state and viewing another aspect of reality within consciousness, which is equally as real as what you recognize as your waking state in consciousness.

NICKY: Okay. What we're seeing, is that what will transpire here in this physical focus?

ELIAS: It is another aspect of imagery within this reality. What you view in your physical waking objective reality is one aspect of this dimensional reality. It is one focus of attention objectively, but side-by-side with this one area of attention that you focus upon are many other areas of your reality that you do not allow yourselves to view at all, but they exist. These other areas of consciousness, that are only very slightly removed from your objective attention and are also objective, may offer you more information of the area of consciousness that you focus your attention within, for this is an action of engaging your periphery.

Vic's note: The following explanation was delivered intently and accentuated with hand gestures.

It is no different than looking to your physical area before you and not engaging your visualization of your periphery, but merely looking straight ahead and seeing nothing within your periphery, only looking forward. As you step sideways within these areas of consciousness that you may access objectively, you open your periphery. What is before you within your waking state may be a chair. Within your periphery may be a table. It is not the chair, but it is also an element of the area, the physical location that you occupy; but in not engaging your periphery, you do not view the table. You merely view the chair. In engaging your periphery, you also view the table.

This is a very simplified explanation, but within your sense perception of your outer senses, viewing the table also adds to your experience; offers you more information of your physical location. If you are within a room and you are viewing nothing but one chair which sits directly before you, you offer yourself no information other than this chair of your physical location. You are unaware of all of the other elements within your room that also occupy the space arrangement; but if you are engaging your periphery, you also offer yourself more information of the location that you occupy. In a similar manner, if you are opening your periphery within consciousness, you offer yourself more information of your reality. Therefore, the table does not appear to be a chair, for it is not. It is another element within the room, but it IS within the room and within your reality. The inner landscape may not appear to be the same as your normal waking awareness of objects and actions around you, but it is another aspect of your reality. In viewing only the chair and not the table within your periphery, you may also not be viewing an object upon the table; a clock. In viewing only the chair, you offer yourself no information of your time frame, for the clock rests upon the table. In engaging your periphery, you may view the table and you may also view the clock, offering yourself a time framework; which is not related to the chair, but it is another element of your reality and offers you more information of your reality.

NICKY: Okay. Now if I just keep in mind how you explained that! Knowing this information, coming upon this information of the total reality, what is that telling you?

ELIAS: It is expanding your awareness and allowing you a greater ability within your objective waking state to be manipulating of your reality more efficiently ...

NICKY: Here?

ELIAS: Correct. ... and affecting your reality more efficiently and more creatively and more expansively, which also is part of the action of this shift.

NICKY: Okay, that's what I thought. You just put it into words for me, which I could not explain it to myself. I love this. I love it! I've got one more connection question. Memo; I think you told me that my son and myself have shared non-physical and physical focuses?

ELIAS: Correct.

NICKY: Okay. Non-physical meaning in another dimension, or in this dimension non-physically?

ELIAS: Not within another physical dimension; within another area of consciousness which is non-physical.

NICKY: Okay. In the physical, what was my relationship with him (Memo) and my son's relationship? What was the action going on?

ELIAS: (Accessing) You have shared more than one focus.

NICKY: Oh, really? And the relationship? I have the sense of maybe brothers?

ELIAS: In one.

NICKY: In one. Really? And with Michael, brothers, too?

ELIAS: (Accessing) Brother and sister.

NICKY: Interesting! Okay, that's only one focus. Is that where I pick up the sense of comradeship, what I'm receiving in his presence?

ELIAS: Correct.

NICKY: Okay, it's that brother-type, companionship-type thing.

ELIAS: Correct.

NICKY: Have most of the relationships been in that arena?

ELIAS: (Accessing) Several.

NICKY: Several. That's why that's so familiar then. Is that a way of receiving your impressions, the sense of relationship that you have with someone? If I feel someone has been just like a brother to me, then more than likely a shared thing was brothers?

ELIAS: Correct. This would be a recognition of impressions.

NICKY: Okay. Now, I'm not really sure what it is I want to know, but this thing with astrology, I think I remember reading in the transcript about the basis of it. It's one of those belief systems ... or no, it's one of the truths, I think you said. It was a truth, but it's been distorted? Is there any information out there now that is more true than what's happened with astrology as it's come along?

ELIAS: I have offered within recent session publicly an explanation of astrology and its distortion, and you may be accessing this information within what has been delivered if you are so choosing. I am aware that our little pyramid offers the information presently within this present now in other methods besides our transcribing, for our scribes are diligently but slowly working. (Grinning)

Vic's note: EXCUSE ME??? What a JERK!!

Margot's note: Well, at least we're diligent!! And dammit, we're not SLOW!!

NICKY: Okay, would that be in the past month? Because I went through all the transcripts and I couldn't find it.

ELIAS: This would be recent to this previous week.

NICKY: Okay. That's probably why I'm so aware of it again.

ELIAS: Correct. You may be inquiring of Michael, and he may be offering you helpfulness in this area. NICKY: Okay. I have one question that Rudy is not necessarily asking herself, but in our conversations ... I would like to know. She remembers being told by you about her stubbornness. I am perceiving, I am getting the impression that however and whatever, and I have no idea to what degree, but I have the impression that she's working through it. Is this a correct impression?

ELIAS: Correct ... ALTHOUGH (Nicky cracks up) within his tremendous focus upon "process," he is creating a process to be working through this! (Grinning)

NICKY: Oh, okay. Bringing up processes and methods and so forth and so on, we all fall into it. I know that desires must be as strong as mine not to go to that arena. That first step that we take off on to go into a method, to go into a process, how can we bring ourselves to the point to not go there? What could we be made aware of?

ELIAS: What you may offer yourselves is that there is no thing wrong with your processes or your methods, but in your thought process of methods and processes, you prolong your movement, for you believe that you must be moving within steps. In this, you may hasten your movement by acknowledging to yourselves that your methods or your processes need not be so very long!

NICKY: Okay! That's what I think, too! I'm very agreeable to this!

ELIAS: Attempt to be creating smaller methods, and this shall move you into the area, eventually, of not requiring methods.

NICKY: Okay, so would that be like intentionally deciding? Well, for us it would be a time slot. "I'm not going to let it go any further than this. I'm going to be done with this by this time," so to speak? What would the intention be? ELIAS: This would not entirely be efficient for you, for within physical focus, this would be a quite efficient "method" of discouraging yourselves and distressing yourselves, for if you are not accomplishing within this time framework, you shall disappoint yourselves and not be acknowledging of your own movement. Choose less involved methods, as the inner landscape. An inner landscape may be accomplished within a few of your minutes, not within weeks or months or years!

NICKY: Sheer agony! (Laughing)

ELIAS: And you may be accomplishing quite efficiently with this "method," so to speak, quite quickly, and also offer yourself immediate acknowledgment.

NICKY: Oh yeah! I really like that! ELIAS: Within these smaller methods, in practicing, you eventually learn to be acknowledging and trusting of yourself and your abilities, and in this, you need no method any longer. Just as within practicing recognition of your impressions, as you continue this action it becomes automatic, and you trust your impressions and you do not question any longer when you are receiving impressions. This is quite acknowledging of self and allows you a greater ability for acceptance of self, and an ease in movement and an effortlessness in movement.

NICKY: I like that! Simple. It's just so simple, isn't it?

ELIAS: Quite.

NICKY: Boy, we really botch things up, don't we? We really get carried away with these methods!

ELIAS: You complicate.

NICKY: Complicate 'em! My god, yes! Oh my gosh! Okay, it just came to my mind here that I didn't ask about my grandchildren. Could I ask you their essence names and families?

ELIAS: You may be receiving impressions! (Grinning)

NICKY: Is that what's starting to happen? Because that's what....

ELIAS: And then as you receive your impressions, you may engage me once again, and I shall confirm.

NICKY: Okay ... Vince is Sumafi?

ELIAS: Correct.

NICKY: And Joey is Sumari?

ELIAS: Correct.

NICKY: The two girls, I'm not really sure of -- Franki and Carina. Franki, I'm going to go with Sumari. (Pause) No, huh?

ELIAS: No.

NICKY: Alright then, I'll work on that one. Carina, I'm going to go with Sumari.

ELIAS: No.

NICKY: Neither one. Are Carina and Franki the same essence family?

ELIAS: No.

NICKY: Oh, interesting! Okay, so they're not Sumari. Alright, I'll work on it. Sumafi?

ELIAS: No.

NICKY: I knew they weren't! Why did I say that? Okay, alright.

ELIAS: (Chuckling) Not guessing! Impressions!

NICKY: Okay. Not Sumari. Interesting! I thought they were 'cause I feel so connected with the two girls, and yet I feel so connected with the two boys, but in a different way, and that's what I thought they were. You're smiling! I love it! Okay, I will work on that one. Okay, my son-in-law; I can't forget him! Borledim?

ELIAS: Aligned.

NICKY: Aligned with? Then he's Sumafi also.

ELIAS: No.

NICKY: No. Okay, alright. I'll work on that one too, then. Very interesting. I feel as though I'm getting the impression that I want to know what you're thinking right now! (Laughing)

ELIAS: (Chuckling) This be your opening to more information and your desire to be connecting within consciousness. Therefore, connect within consciousness! (Pause) And I shall be acknowledging of your connections.

NICKY: And I will know this?

ELIAS: Correct.

NICKY: When I get this impression ... I was thinking this morning, "I'm in love with everything!" I'm in love with everything! I'm in love with you, I'm in love with this one, I'm in love with that one, I'm in love! What is it really that is happening, really happening? I'm feeling that.

ELIAS: This also, contrary to what many individuals are experiencing within the action of this shift as they are blocking or not opening to the action of this shift, this what you experience is another aspect of the action of this shift in consciousness; a renewed zeal for life, so to speak; a new awareness of the wondrousness of your creations within this physical reality and the beauty of this physical reality.

NICKY: Oh my gosh. That is just too beautiful. So that's really what it is? I walked around the house all this morning. "I'm in love with this! I'm in love! I'm in love with him! I'm in love with her!" Oh, this is so good to know.

I feel that I'm done here. I'm really overwhelmed with this Rico thing because I have the same thing going with my daughter, do I not?

ELIAS: Correct.

NICKY: With the fragmentation?

ELIAS: Correct.

NICKY: Okay, is it the relationships we had before? Oh, speaking of that, what other relationship have I had with my daughter? Have I shared any other focuses with her?

ELIAS: Past and future, yes.

NICKY: Past and future? What was the relationship? I want to say sisters.

ELIAS: Very good! (Chuckling)

NICKY: Alright! So that's why there's.... (Elias starts laughing)

ELIAS: It is quite refreshing to be exchanging with individuals recently that are opening to impressions and allowing themselves to be trusting and receiving information within this area, for this is the workings of this shift.

NICKY: Oh, that's beautiful! It's really a beautiful thing that's happening then, is it not?

ELIAS: Quite! Quite exciting! Moving into new, wondrous areas of creativity!

NICKY: Oh, my gosh. That's gotta be massive, huh? Overwhelming!

ELIAS: It is.

NICKY: Whew! I'd like to poof out with you right now! Is that the same kind of thing I'm experiencing when I feel....

ELIAS: Yes.

NICKY: Because I really do. I really do! I look to a release, and sometimes I don't know how to release it, because it's like I swell up! I want to explode! I want to go poof! ELIAS: And so you shall, as you are opening within your awareness and opening to this shift in consciousness. The possibilities within your creativity and your abilities are limitless!

NICKY: We can't even begin to fathom it yet, can we?

ELIAS: Not quite, but you are beginning! (Grinning)

NICKY: This is too beautiful! I want to thank you! This has been so enjoyable for not knowing exactly what was going to transpire.

ELIAS: You are extremely welcome.

NICKY: I want to explode, just scatter out there!

ELIAS: (Chuckling) I encourage you to continue within this zeal that you have connected to, for it shall serve you well within your movement into new wondrous areas of creativity.

NICKY: Thank you.

ELIAS: You are quite welcome. Express to Rudy, from Elias, greetings.

NICKY: She misses you! She's aware of you, but she misses you.

ELIAS: Very well. This day I shall disengage and extend to you, and to all those connected to you and to Rudy also, a very loving and fond au revoir!

Elias departs at 1:43 PM.

© 1997 Vicki Pendley/Mary Ennis, All Rights Reserved

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Copyright 1997 Mary Ennis, All Rights Reserved.