Session 2164

A Fluctuating Entering Essence

Topics:

“A Fluctuating Entering Essence”
“Children Are Open to Other Energies”
“Essences Incorporate Preferences”
“Make Physical Manifestations Less Important”

Wednesday, January 03, 2007 (Private/Phone)

Participants: Mary (Michael) and Anon

ELIAS: Good morning!

ANON: Good morning, Elias.

ELIAS: (Chuckles) And what shall we discuss?

ANON: Oh, I'm learning to trust myself and my impressions and my impulses thanks to you and the things I've been reading. And I'd like to validate some things with you first.

ELIAS: Very well.

ANON: Like my essence family. I believe I belong to Sumafi...

ELIAS: Correct.

ANON: Oh, yay. And alignment Tumold?

ELIAS: Correct.

ANON: Oh, wow. Okay. Essence name: I have a tone that came to me but I'm not sure that it's a name or maybe it's something else. I got... it's Mahura or Mahuran.

ELIAS: That is a name that is a focus name.

ANON: A focus name. Okay. Cool. So, what might my essence name be?

ELIAS: Essence name: Isis, I-S-I-S.

ANON: Thank you. So, other focuses that I wanted to validate some things. I had a feeling that some of my focuses were aligned with Vold?

ELIAS: Yes.

ANON: And I'm not sure which ones. One of the focuses that I've been aware of since I was very young is a pioneer woman, like in the 1800s?

ELIAS: Correct.

ANON: And then another one would be... I think I was a Mason around the time this country was founded?

ELIAS: Correct.

ANON: But not necessarily somebody that was famous but somebody that was supporting the movement.

ELIAS: Yes, you are correct.

ANON: Okay, and would that focus be Vold?

ELIAS: Yes.

ANON: Okay. Is that the belonging to Vold?

ELIAS: No. The belonging family remains the same.

ANON: Oh, okay. So that's the alignment. Thank you. Okay, and then another focus was either a Mexican or Indian woman... kind of older, black hair with modernish clothes. Seems very wise, sitting in front of a mud dwelling, grinding corn.

ELIAS: Yes. You are correct.

ANON: And could you give me a time frame for that?

ELIAS: That would be your early 1900s.

ANON: Oh, and so would it be Indian, American Indian, or Mexican?

ELIAS: Mexican.

ANON: That is so fun. Okay. Now, changing subjects a little bit. When my daughter was born, I was very aware of nonphysical energy in the few days that followed her birth. And one day while I was dancing and singing her to sleep, I felt a very strong presence, and the name Connor came to me. And I was wondering if you could help me figure out what that was.

ELIAS: Let me express to you: at times when an essence is manifesting in a physical focus, the energy of that essence may not necessarily entirely be within the actual physical manifestation. It may partially be within the manifestation, but it may also be projecting outside of the manifestation. Generally speaking, when this occurs the essence has not entirely chosen whether it will actually participate in that particular focus or not. And that can actually continue for a period of approximately a year, although generally speaking it does not. Generally speaking, an essence that is fluctuating in relation to any particular focus will choose relatively quickly once the manifestation has been created. In this, this is the essence of that focus.

ANON: So Connor is her essence name?

ELIAS: Yes.

ANON: Oh, okay. Then her essence family is also Sumafi?

ELIAS: That information you may obtain from Michael, for this particular essence also incorporates another manifestation... actually several, but one that does participate in this forum.

ANON: Okay. Thank you.

ELIAS: And what would be your impression be as to her alignment?

ANON: Ilda?

ELIAS: Correct.

ANON: When she was about two years old or so, she would put socks on her hands and carry her purse like an old woman, and the socks were gloves. And she would call her tights, that we put on her legs, “hoses,” which we'd never used that word before. I was wondering if that was like a bleed-through from some other focus?

ELIAS: Yes. You are correct.

ANON: Okay.

ELIAS: This is quite common with small ones, for they generate quite an openness to other energies. And many, many times, they incorporate memory of other focuses.

ANON: How can I facilitate my children to continue that openness if that's what they're wanting to do? I want to help them be as connected as possible and facilitate their broader perspective, knowing.

ELIAS: You can generate that in being supportive. Being accepting, and also reinforcing with them that this is not imagined.

ANON: Okay.

ELIAS: That this is actually real and that they are tapping into other energies. And that this is not fantasy.

ANON: Okay. Because I'm trying to do that now with my daughter. She says that she plays with her sprite friends, and I try to talk to her about them as though they're... I mean, I do believe they're real... I do. I just wanted to make sure I was doing the right thing.

ELIAS: Yes. This is quite encouraging. What is discouraging to small ones is the perception of other individuals around them expressing to them that these interactions, or what they view or what they remember, is NOT real.

ANON: Okay. Then I want to ask about my son's essence family. I believe he also belongs to Sumafi.

ELIAS: Correct.

ANON: And alignment Zuli?

ELIAS: Yes.

ANON: And my husband's essence family. I believe he belongs to Sumafi.

ELIAS: Correct.

ANON: And alignment Gramada?

ELIAS: Correct.

ANON: And my mother's essence family. I believe she's also Sumafi.

ELIAS: Yes.

ANON: And alignment Tumold?

ELIAS: Yes.

ANON: She and I are so much alike. I thought that was the case. Oh, can I have my son's essence name?

ELIAS: Essence name: Sym, S-Y-M.

ANON: I wanted to ask about my painting. I have a painting that I did and it's of a perspective of looking down on a pyramid. And it's painted with small squares of color, and the colors merge together. And when my mother saw it, she thought it was a self-portrait. And I can sort of see that. However, I also was thinking that maybe it was a tile in The City. I was wondering if you could help me interpret my painting.

ELIAS: You are correct. And what is your impression as to its function?

ANON: I think it's showing that the essence families overlap like you've described. That there's many facets to the essence families, and it shows a combination of those families because of the colors?

ELIAS: You are correct. And in this, dependent upon the angle in which you engage that tile, you will view different qualities; therefore you will view a different picture.

ANON: Oh, which is the same thing as looking at some, a focus, and seeing their different qualities by how you're perceiving it?

ELIAS: Yes.

ANON: Excellent.

ELIAS: Congratulations.

ANON: (Laughs.) Thank you. I am gaining confidence in this every moment here. (Elias laughs)
I wanted to ask another question about my son. He's very physically focused. He's very physical in his attention and his actions. I want to help him be more connected to his broader perspective. He seems to spend some of his time being bored, and I've asked him to consider that he open himself up to more choices. But I'm not sure that he knows what that means. I was wondering if you could maybe give me some thoughts on how to think about him and his need for physical connections.

ELIAS: Explore with him rather than inquiring of him what he may want to do or what he may want to engage. That presents a very broad canvas. And many times an individual becomes overwhelmed with that type of choice.

ANON: Right. I've experienced that myself.

ELIAS: Therefore, it may be helpful, and you may engage more success, if you present suggestions that you can engage with him, but without expectations. Generate the actions merely as an exploration to discover what his preferences are and what he would enjoy engaging. Therefore as you explore different activities, do not push for him to continue to engage, but merely engage the actions as an experimentation. And in this, you can generate a game with him, and therefore including fun in creating a type of treasure hunt in which you explore different activities to discover which activity is his treasure.

ANON: Oh, that sounds wonderful! So that's like what we've done sort of so far with his guitar experience and his ice-skating experience. And I just need to let go of the outcome and play with this more.

ELIAS: Yes. Allow him to explore and discover what his preferences are.

ANON: Thank you. My dog, my puppy... I just wanted to get a confirmation that that is also the same energy that we had experienced in our cat Cinnamon.

ELIAS: Yes.

ANON: And I helped to create that because I wanted more interaction with him, but at the time we didn't want to bring the cat into the house. So he helped by deciding to be a dog?

ELIAS: Correct.

ANON: Okay. I have a great passion for ballet dancing, and I was wondering if there was also a focus of mine that was a professional ballet dancer.

ELIAS: Yes. More than one.
ANON: More than one. Okay, so now I'm not understanding, or I'd like to understand, how it is that I'm affected by these other focuses? Or is it just that my essence is getting something important out of this and so we've chosen to do it more than once?

ELIAS: You as essence, in similar manner to each focus of attention of essence, incorporate preferences. Therefore, in association with the physical manifestations of the different focuses, you may choose to generate similar explorations in several or many different focuses. For although you may choose the same subject matter to explore, you choose to explore it in different manners and perhaps in different genders. Which would allow for different experiences.

Whatever subject you choose within a physical manifestation to explore, there is such vast quantities of experiences that can be generated, that one focus could not actually exhaust all of the possibilities in that exploration. And in the incorporation of certain preferences, you may choose to explore a particular subject in many different manners – such as the ballet.

ANON: I see. So when I was younger, I made a conscious decision not to pursue professional ballet dancing. And up until now I've kind of thought that maybe that wasn't the right decision. But I can see I should embrace the perspective that I'm exploring ballet now because it's completely different than had I pursued that. And it seems that if I'd done that in another focus, this is a good thing for this focus to explore it this way.

ELIAS: Correct. And also you may be aware that when you incorporate a particular passion for any subject or culture or location in one focus, that is an indicator that you do actually incorporate other focuses associated with that subject or culture or location. In this, what you express in your focus strongly, is being experienced in other focuses, which allows you to draw upon that energy naturally, which enhances your passion for that particular subject and allows you to explore it in your manner, but also draw upon the energy of your other focuses that are experiencing it in different manners.

ANON: Oh, okay. I have one more question – this has been fabulous. It's in regards to physical wellness. I seem to judge my physical maladies to be bad. And that if my body was thriving and in perfect balance, that that would be a better thing. And I somehow get a gold star for being good and allowing my energy to be flowing well. I would like to not be so judgmental. And I know that the physical symptoms that show up now and then are signals. But I'm still very judgmental of that, and I would like some help in pointing me in the right direction.

ELIAS: First of all, let me express to you: this is also a preference. It is not bad to want to be and appreciate a healthy body consciousness. In this, if you incorporate a preference for a particular expression of the body consciousness, you would naturally be repelled, somewhat, to an extent, if you are creating contrary to your preference. In that, when you ARE creating contrary to your preference, allow yourself to relax, acknowledge that it is not your preference, but also allow yourself to relax and acknowledge that you are expressing a communication to yourself. In this, be aware that the more you oppose, the more you reinforce what you do not want.

ANON: Right.

ELIAS: And also you may remind yourself that you pay attention to what becomes important. And in association with some malady or symptoms, as you express in relation to the body consciousness, if you dislike that considerably, it becomes important – the dislike of the manifestation becomes important – and therefore you reinforce it, for you continue to pay attention to it. Therefore, if it is generated with less importance, you pay less attention and you dissipate it much more quickly.

ANON: So, like right now with this molar that I have, it was talking to me. And I think I got the message, already, about my beliefs and trying not to tear them all up and to know that some of them do serve me. Am I now to the point where I've got the message on that and I could move to not paying so much attention to it?

ELIAS: Yes. And this is the –

ANON: Okay, and is that... am I at the same point then with my hormones being more in balance? I got the message that I was disallowing my female energy, and now I'm moving towards allowing that. Am I in the same place with that too?

ELIAS: Yes. Now the point is acknowledging that you understand, and you are manipulating your energy differently. And therefore these expressions do not hold the importance that they did previously. And therefore it is not important for you to pay attention to them.

ANON: Thank you. Thank you, Elias. I feel I am complete for now. (Both laugh) I enjoyed this interaction. I thank you so much and appreciate all that you're doing to help us out.

ELIAS: You are very welcome, my dear friend. I shall be anticipating our next meeting. And I shall be offering my energy to you in supportiveness and great encouragement. In tremendous appreciation of you and great lovingness.

ANON: Thank you.
ELIAS: Au revoir.

(Elias departs after 28 minutes)


Copyright 2007 Mary Ennis, All Rights Reserved.